Research On He Zhuo's Concept Of Tie Xu

The Qing Dynasty was an important development period in the history of Chinese calligraphy.During the Kangxi period in the early Qing Dynasty,the whole calligraphy circle was under the "worship of Dong calligraphy style" and the craze of visiting tablets.However,because the style of Dong calligraphy was becoming soft and charming,which was far from the original meaning of Dong Shu,some calligraphers were dissatisfied with it.He Zhuo,as a calligrapher in this period,also realized the weakness of this style of writing and was unwilling to follow it.He turned to tracing the style and charm of Jin and Tang Dynasties to explore the original meaning of the book.On the one hand,He Zhuo as a whole to learn orthodox ideas as the main line,advocate the Jin Tang ancient law,on the other hand,it will learn ideas and calligraphy practice combined,to "two Wang",Yan Zhenqing,Mi Fu,Zhu Yunming and other calligraphers as the object of the law,and strive to Gao Gu,Kai,line,grass and good,when people of its evaluation is very high.This paper will classify and sort out the concepts of postscript of Yi Men and Collection of Mr.Yi Men,which are involved in He Zhuo’s treatises on Yi Men,and try to sort out and explain the differences and achievements of his ideas of Yi Men.This paper will be divided into four chapters to study He Zhuo’s idea of the idea of the book is an important point of view.The first chapter introduces He Zhuo’s life,and then discusses the reasons for the formation of his idea of tieology.The upsurge of "Chongdong style of writing",the rise of classics research and the friends with other calligrapher are all important factors for the formation of He Zhuo’s idea of tieology.The second chapter is the key chapter of this paper,which mainly studies He Zhuo’s idea of Tietology.According to his writings and works,He Zhuo’s idea of Tietology can be summarized as "advocating Jin charm","taking the path of Tang people","tracing Jin and Tang dynasties from Song and Ming Dynasties",and the aesthetic appreciation of Tietology of "if you will not stop,you will become new with the ancient","the balance of fat and thin,and the excellent spirit",as well as the method of using pen and structure in tietology.The third chapter mainly studies the practice of He Zhuo’s ideas in his calligraphy works.His regular scripts are ochre in body,lean and hard,smooth and elegant,and the cursive script has the charm of Jin and Tang Dynasties and is full of ink,which has a high artistic value.The fourth chapter mainly studies the influence of He Zhuo’s ideas on the later Jinnong,Wang Shu and other people’s ideas of calligraphy,and also has a certain enlightenment for contemporary calligraphy learning.The author believes that He Zhuo’s idea of tieology played an important role in the early Qing Dynasty.Firstly,He Zhuo’s idea of tieology played a certain role in the improvement of the calligrapher’s blind worship of the Dong at that time.Secondly,He Zhuo also had an important guidance and influence on the later calligrapher and the trend of tieology in the early Qing Dynasty.