The Research On The Singing Practice Of Huang Zi’s Ancient Poetry,Lyrics,and Artistic Songs

Huang Zi(1904-1938)was a highly respected composer and music theorist in the history of modern music in China.His music creations cover various genres such as symphony,chamber music,piano polyphony,oratorio,choir,solo,and textbook songs.He left behind 94 works with vastly different styles for future generations,which is a valuable cultural heritage.The research on Huang Zi’s ancient poetry,lyrics,and artistic songs is mostly focused on the creation of works in the industry,while research on singing techniques and styles is relatively rare.The author has performed a large number of Huang Zi’s ancient poetry and artistic songs in years of vocal learning.Through her own singing practice and research,she believes that Huang Zi’s ancient poetry and artistic songs integrate elements of national music culture and Western composition techniques,forming her own style.She is an excellent vocal genre with pure youth and mature techniques.This article,based on years of singing practice,systematically analyzes and studies the relevant issues involved in Huang Zi’s ancient poetry,lyrics,and artistic songs.By collecting and organizing relevant works,it elaborates and explores the singing problems of Huang Zi’s five ancient poetry,lyrics,and artistic songs from four aspects: enunciation and enunciation,application of breath and rhyme,presentation of timbre and volume,and mastery of rhythm and speed.The focus of the article is on the singing analysis of Huang Zi’s ancient poetry,lyrics,and artistic songs,while the research difficulty is how to perfectly combine singing skills and creative style.The author hopes that through the writing of this article,more people can understand the connotation and unique artistic style of Huang Zi’s ancient poetry and artistic songs,providing theoretical support and reference for future related singing and teaching.