| This paper takes " Observation on the Feeling of the Beautiful and Sub-lime","Practical Anthropology","Critique of Judgment" and "Reflections on Logic" as the main analysis text,and takes the concept of "emotion" as the starting point to show the development of Kant’s aesthetics in different periods.Chapter one discusses the development of the concept of emotion in the period of pre-critical aesthetics.This chapter will discuss in three parts.First,it will sort out the background of The brewing of Kant’s aesthetic thought.In this part,I will discuss from three aspects: the spirit of The Times,the life and education of philosophers,and the academic environment at that time.Secondly,it illustrates the philosopher’s preliminary exploration of aesthetic thought.In this part,I will first discuss the change of philosophers’ philosophical research focus from nature to man,then sort out the thought of British empiricism,discuss its influence on philosophers’ thought,and finally show the preliminary sorting and display of philosophers’ aesthetic thought,namely the investigation of aesthetic feeling and sublime feeling.In the last section of this chapter,I will take the text of "An Investigation on the Sense of Sublime and Aesthetic Feeling" as the main text to show the emotions separated by aesthetic experience by philosophers,respectively discussing general pleasure,aesthetic feeling and sublime feeling as spiritual ability,distinguishing the two and classifying the sublime feeling.Chapter two discusses the development of the concept of emotion in the transitional period,which is discussed in three parts.First of all,it shows the general exposition of philosophers’ aesthetic thoughts in this period.Firstly,I will clarify the relationship between anthropology and aesthetics.Secondly,I will discuss the human characteristics that philosophers think are related to aesthetics.Finally,I will show the philosophers’ remarks in defense of sensibility.Second,I will discuss the special treatment of "pleasant and unpleasant emotions" by philosophers of the period.This part I will discuss from the following three aspects,first,discuss the perceptual pleasure of feeling an object;Secondly,it illustrates the special source of aesthetic feeling,and finally points out the relationship between aesthetic feeling and appreciation,paving the way for the following contents.In the last section,I will devote a special analysis to the concept of appreciation.In this part,I will first explain the philosophers’ definition of appreciation,then discuss the rules of reflection appreciation and its universality,and finally discuss taste and aesthetic objects.The third chapter discusses the development of emotion in the period of critical aesthetics.This chapter is the key and difficult chapter of this paper,which is divided into five sections.In the first section,I will briefly introduce the construction of critical philosophy,and illustrate the systematic function of the third criticism in an overall language.In the second section,I will focus on the core concept of "aesthetic judgment" in the critical aesthetics period.In the third section I shall deal with the feelings involved in the analysis of beauty;In section 4,I will discuss aesthetic commonality.The concept of common sense is not only ensure the aesthetic innate comprehensive the possibility of a key,the focus of the cognitive activities is also explain why the possible,therefore,in this part,I will be the first to back the origin of the problem of common sense,secondly discusses common sense in the critique of judgment,finally discussed in appreciation and judgment,the mechanism of action of common sense;In the last section,I will deal specifically with the concept of emotion in the analysis of the sublime. |
