The sound problem is easy to be ignored.For a long time,the hegemonism of visual supremacy makes people always ignore the existence of sound,and even some film creators have be affected too.However,in fact,sound is not a vassal of the picture.Film sound can broaden the visual space and enrich the emotion of the film.It’s one of the essential basic elements in film art.For urban films,sound is also an inevitable part.Because urban films generally have the characteristics of realism,although the sound elements in urban films contain artistic effects,they are still recording reality.On the other hand,these sounds have deep-seated cultural significance.Therefore,they can also be regarded as a special soundscape.Under the creation of filmmakers,these voices connect the film and real life.They not only pay attention to the daily life of urban residents,but also show the characteristics of Beijing in different periods and the political and cultural significance behind the characteristics.Based on the above views and the soundscape theory which is emerging in recent years,this article first divides the Beijing urban films into three types,"old Beijing","new Beijing" and "contemporary Beijing" according to the creation time and theme content of the films.Then,the article divides the audience of film sound into the role in the film and the audience outside the film,and discusses the changes of sound in the film on this basis.During the discussion,this paper attempts to sort out the changes of the auditory image of Beijing in the film works.At the same time,the article also tries to find out the cultural significance and creative law behind this change,hoping to help the further development of urban film in sound creation. |