The Folk Vision In Wang Zengqi’s Novels From 1940s To 1980s

It is an evolutionary trend of Wang Zengqi’s novel creation to continuously penetrate and integrate the perspective of novel creation into the folk.At the same time,it also condensed into the unique aesthetic character and artistic characteristics of Wang Zengqi’s novels.With this as the topic,this thesis focuses on the in-depth study of Wang Zengqi’s folk perspective in his novels from 1940 to 1980 s.The first chapter is entitled "Regional Writing in the Folk Perspective" : this chapter believes that Gao You,Zhangjiakou,Kunming and Beijing occupy most of the scenes Wang Zengqi sees as "folk" in regional writing,and are tinged with different charm with the changes of personal experience and times.The first section,"The presentation of regional roots in Wang Zengqi’s novels",carefully reads and analyzes the presentation of regional roots in Wang Zengqi’s novels from 1940 to 1980s;The second section,"The influence of regional environment on Wang Zengqi’s novel creation",tries to demonstrate that the home region and the guest region has different literary presentations and functions in the formation of Wang Zengqi’s folk vision,creating favorable conditions for Wang Zengqi to become an excellent "regional writer".The second chapter is entitled "Folk Literature Factors in the Folk Vision" : this chapter specifically discusses the inspiration that Wang Zengqi’s novel creation has brought to Wang Zengqi after the establishment of the folk vision in Wang Zengqi’s novels of the story archetypes,ballads and story structures in folk literature,and combs Wang Zengqi’s conscious reference and application to them.The first section,"The extraction of folktales: the transmission and replacement of archetypes",discusses that influenced by folk literature factors,Wang Zengqi shows his unique outlook on life and human nature with the archetypes of folktales;The second section,"The quotation of folk songs: re understanding of folk literature",refines their narrative functions by sorting out the types of folk songs in Wang Zengqi’s novels from 1940 to 1980s;The third section "The reference of folktale structure:inspiration from folk writing" aims to reveal that folktale structure provides Wang Zengqi with an opportunity to transform himself.The third chapter is entitled "the Narrative Evolution in the Folk Vision" : This chapter discusses the different narrative aesthetic orientations of Wang Zengqi’s novels before and after the establishment of the folk vision from 1940 to 1980 from the perspective of narrative language,narrative perspective and narrative time.The first section,"Localization of narrative language: exploration of folk vocabulary",discusses Wang Zengqi’s tendency towards folk in the construction of narrative language;The second section,"Omniscience of narrative perspective: the practical change of folk orientation",is devoted to exploring the internal relationship between the change of narrative perspective and Wang Zengqi himself;The third section "The spatialization of narrative logic: the way of folk eternal existence" observes Wang Zengqi’s ambition to confront time through the changes of narrative time in his novels from 1940 to 1980 s.In a word,the formation of this folk perspective in Wang Zengqi’s novels is a diachronic process,which began in the 1940 s and matured in the 1980 s,which is also an important reason for this thesis to study Wang Zengqi’s novels in this diachronic perspective.