An Analysis Of Adaptation From Real Cases To Crime Movies

The Chinese film market has developed rapidly in recent years,with significant improvement in both types and quality.One of the major types is crime films,among which a large number of excellent films are adapted from real cases.The hot spot effect brought by the case itself and the profound criticism make this kind of film have a unique position in the film market.However,the adaptation of real cases also has disadvantages naturally,that is,it is inconvenient to set suspense when the outcome is known.True cases change crime movies,shifting the focus from suspense to the experience of the whole thing.Under the guidance of the theme of multiple expressions of "Dearest",the "Character driven" film Dear "adopts the strategy of" taking a variety of people and synthesizing them into one "to create typical characters and set character relations.In order to find a balance between realism and dramatization,two stories with completely different structure are formed.Under heavy pressure,the truth of the choice of characters is revealed and the purpose of making the audience reflect on the social meaning behind the characters is achieved through the real nature of the characters."Plot driven" film "Saving Mr.Wu" uses three different characterization methods: "one-sided positive police","typified powerful villain" and "active/passive combination of rescued" to build the character structure;By using the narrative strategy of multi-point narration and typology narration,it tries its best to restore the whole process of the original real case,combines the truth with fiction,and presents a genre film that is both entertaining and authentic.In the graduation creation related to this thesis,the screenplay "The past of the police",on the basis of the analysis of the two films,absorbs the advantages of the "character-driven" film and the story processing methods of the "plot-driven" film from the characterization to make comprehensive use of.And sum up the artistic value and market value of the real event film.