Research On The Application Of Screen In The Construction Of Picture Space In The "Rescreen Chess Chart"

As a traditional Chinese furniture screen,its decoration and shape not only change with people’s living habits,but also under the influence of traditional Chinese Confucianism,Taoism and Buddhism,containing a lot of cultural information.Screen is also because of its own practical,decorative,cultural in the identity of the transformation: from the physical object to the carrier of the picture and then developed into a "props" to construct the picture space.When the screen appears as traditional furniture,it is not only a symbol of noble status but also a partition of real space.When it appears as the carrier of painting and calligraphy,it can not only complete the artistic ideal of the painter,but also express the conduct and hobbies of the owner.When the identity appears as an element of the picture,it not only reflects the artist’s ingenious conception,but also becomes one of the "props" to construct the picture space,which in creases the interest of the picture to a certain extent.In ancient and modern paintings,there are countless works of screen painting,and the way of screen space construction is endless."Rescreen chess chart",known as "Rescreen",was created by Zhou Wenchi,a painter in the Southern Tang Dynasty.It is a documentary painting reflecting court life.Zhou Wenju borrows the form of screen element "inside" to construct the perspective space of the rescreen.Such clever arrangement not only divides the"reality space" of the chess player in the picture,but also extends the "illusion space" of the picture in the direction of depth.At the same time,it also successfully metaphorizes the mood of the characters in the painting,and indirectly transmits the"social space" of the era in which the painter lives.Through the analysis of"Rescreen chess chart",this thesis probes into its artistic value from "painting in painting" to "word in the painting.The screen spread from 3,000 years ago has been regarded as a work of art with soul,combining the traditional aesthetic culture it carries with modern art.On the ba sis of inheriting the tradition,the screen element with Chinese characteristics is used to construct the picture space,which can not only metaphor the aesthetic taste of the characters in the painting,but also highlight the unique charm of Chinese traditional culture.Combined with the characteristics of the current era and aesthetic culture,it opens up an innovative way for the screen element to be expressed in the picture space.