The Degendered Expression Of The Core Of Contemporary Chinese Feminine Arts

Since the 1990 s,women in art have risen from a marginalized group to a dual aspect of subject and object.The evolution of historical and cultural contexts led by the rise has made the original definition of feminine arts inaccurate.This article attempts to define feminine arts.On the basis of the allotropy of contemporary art,it explains the de-gendered turn of feminine arts in the spiritual core,and extends it to the semantic resolution of Chinese feminine arts.On this basis,it connects with personal creative practice to describe the society’s misunderstanding of today’s feminine arts expression,and calls for the traditional discourse system to change the view of feminine arts.Firstly,it expounds and analyzes the desirability and one-sidedness of the two theories of Chinese feminine arts in the academic circle,and then concludes that Chinese feminine arts is defined as artistic expression from the perspective of women themselves.secondly,it avoids the female perspective and focuses on the expression of individual experience from the spiritual core Two dimensions summarize the manifestations and causes of the development trend of gender ablation in contemporary Chinese feminine arts,and distinguish the meaning of "gender" in feminine arts from the meaning of "gender" in degendering,eliminating the relationship between degendering and Chinese women.There is a suspicion of paradox in art.Finally,after clarifying the meaning and misunderstanding of contemporary Chinese feminine arts in the new historical and cultural context,I integrated my personal feelings about the situation of contemporary Chinese feminine arts into the spiritual core of artistic creation practice,and from the content,theme,visual elements.The works are displayed in terms of composition,composition and techniques,reflecting personal feelings and sympathy for the de-gendered expression of contemporary Chinese feminine arts in the spiritual core.