The Application Of Matisse’s Flat Painting Language In The Creation Of "Window" Series

The theme of this thesis is "the application of Matisse’s graphic painting language in the creation of" window "series".The main research object is the performance characteristics of Matisse’s graphic painting language,and the author applies it to the creative practice and integration of "window" series.This thesis explores the expressive characteristics of Matisse’s graphic painting language by analyzing the formative factors of Matisse’s graphic decoration language.Finally,the author expounds the application of Matisse’s graphic painting language in his own creation and its enlightenment by discussing his own creative practice and analyzing his "window" series of works.From the perspective of theory and practice,the author provides reference for the theoretical and practical research in this field,expands the expression of contemporary oil painting,and makes contributions to accelerating the formation of nationalization of contemporary Chinese oil painting.It is the "Introduction" of the previous research,focusing on the "purpose" of the text and the analysis of the literature.The first chapter "the origin and performance characteristics of Matisse’s planarized oil painting",focuses on the discussion of color,composition and decoration techniques in Matisse’s planarized painting language by means of work analysis.The second chapter of this theory is "the creative process of window series oil paintings",which discusses the creative conception process of the author,and focuses on clarifying the application process of Matisse’s planar painting language in the author’s creation.The third chapter is "the influence of Matisse’s planar painting language on my oil painting creation",which discusses the author’s emotional enlightenment and harvest in creation with Matisse’s life and artistic techniques.