Chinese Trend : The Direction Of Chinese Art Ecology

In 2018,the concept of "Chinese Trend" began to be known and applied by the public,the Chinese Trend is not only reflected in the economic field in the expression of national cultural self-confidence,but also the cultural field of the public’s pursuit of art of life,it is not only the Mandarin,culture and brand popular in the world this social and cultural phenomenon,but also the awakening and re-creation of traditional art elements and traditional art theories in today’s society,whether it is the artistic and cultural elements contained in this concept itself.Or the generation mechanism of its formation and development is worth studying.The significance of this paper is to explore how "Chinese Trend" promotes the development of Chinese art and the positive significance of "Chinese Trend" from the perspective of art ecology.The first chapter is an introductory content,mainly discussing the theory of art ecology,the development of national tide culture,and the relationship between national tide and contemporary Chinese art ecology.The second chapter mainly discusses the digitization and fragmentation of art forms in "Chinese Trend" art,and extracts the important attribute in the transformation of art form-cross-media attribute for detailed discussion,and reveals the essence of its cross-media phenomenon by the existence of media in "Chinese Trend".The third chapter mainly discusses the expression methods of traditional culture as the core,traditional customs as the essence,and classic works as the content in the specific texts of "Chinese Trend" art,and summarizes the characteristics of "Chinese Trend" expression in today’s art ecology through the analysis of artistic expression in "Chinese Trend" film and television works.Chapter 4 starts from the concept of social psychologist David Myers’ conformism and obedience,and explores the interaction between the three components of art managers,art creators,and art appreciators in the outer cycle of art ecology and national tide art.The following main findings and conclusions were drawn.First of all,the Chinese art ecology is composed of explicit group consciousness and implicit group unconscious.Secondly,as a cultural phenomenon,"Chinese Trend" is a benign development trend of Chinese art ecology,and the essence of "Chinese Trend" art is the reproduction and innovation of tradition and classics.Finally,the key to the trend of national trends lies in the characteristics of mass culture that are clearly pointed to by the intergenerational changes pointed to by the implicit mass unconsciousness formed by the current art ecology.The new ecology is bound to have a new round of "survival of the fittest",and what we should think about is how to use the edifying effect of the artistic atmosphere to "manipulate" the public’s artistic preferences and selection tendencies from the unconscious level of the group with the penetration of national tide art in the public life.Based on the above literature research and case analysis of "Chinese Trend" and art ecology,this study emphasizes the demand to attach importance to the cultural phenomenon of "Chinese Trend" and puts forward measures to establish a virtuous ecological cycle so that "Chinese Trend" can play its positive role,which provides a new way for the modernization and inheritance of traditional art.