Music Analysis And Performance Research Of Liszt’s Concert Etude Elegy

Franz Liszt(1811-1886),as one of the pre-romantic composers.His life tasted all the difficulties and hardships in the world,but his works showed the audience the aesthetic romantic music color.He used the calm and romantic music language to encourage the audience to bravely analyze their understanding of life and regain their confidence in life.At the same time,the music language full of romanticism changed his unbearable life.But also for the future generation of great works,each of his works have wonderful fantasy.This paper takes the music fantasy as the entry point,takes Liszt’s concert etude "Elegy"(S.144 No.1)as the research object and makes a detailed analysis of it,including the composer’s artistic career,music analysis and performance skills analysis.Music analysis is specific to the performance of music fantasy in music creation.It is specifically studied from the following three parts: musical form analysis,harmonic changes,and musical thought development techniques.Performance skills analysis is specific to the performance of music fantasy,including:key touching ways of different phrases,different stages of piano practice methods,how to carry out detailed music processing,and how to promote emotional changes.This paper uses analytical method,induction method,comparative method and other research methods,divided into five chapters:The introduction,including the original intention of the topic selection,takes Liszt’s concert etude "Elegy"(S.144 No.1)as the research object to objectively describe the research status at home and abroad.To provide an academic background for further discussion.The first chapter: composer Franz Liszt’s life experience,the basic concept of fantasy music and the reasons for the formation of fantasy music mainly include the composer’s artistic career,fantasy concept,fantasy music concept.The reasons can be divided into objective reasons and subjective reasons,which is conducive to the careful music processing and secondary creation for the players.Chapter two: Musical form and harmony analysis,This piece is a single trilogy form with the nature of variations and sonatas.This paper is divided into three sections for detailed harmonic and structural analysis.The composer’s creation motivation is detailed,and the scholars can deeply discuss the form structure of etudes and the fantasy of music in harmony.Chapter three: The expression of fantastical music in music creation explains the composer’s thinking about fantastical music in the text through the melody theme,the change of tone and expression mark.Chapter four: The performance of fantasy music in playing skills,around the issue of "how to express the fantasy of music in performance" to explore in depth,focuses on the key touch mode and the use of the left and right pedals and provides corresponding solutions,practice methods.