A Study On The Nationalized Style And Artistic Expression Of The Piano Adaptation "Battle Typhoon"

Since the middle of the last century,composers have made unremitting attempts to create piano works with a Chinese flavor.On the basis of learning from Western composition techniques,they have incorporated the unique vocabulary of Chinese national music into their works.The integration of piano art and guzheng music elements has provided a large amount of material and inspiration for composers music creation,opening up a new path for the diversified development of Chinese piano music in the future.This article takes the piano adaptation "Battle Typhoon" created by Liu Shi Kun,Guo Zhi Hong,and others as the research object.On the one hand,this piano piece is adapted from the works of Guzheng,which is a derivative product of Chinese piano art in a specific social and historical environment,and to some extent breaks through the barriers between the piano and the Chinese national instrument Guzheng;On the other hand,while inheriting the beautiful lines and timbre of the original music,it combines the "linear thinking" in guzheng music with the "multi vocal" characteristics of the piano,fully displaying the charm of the piano,with high aesthetic and artistic value.This article consists of three parts: The first part analyzes the nationalized aesthetic connotation of the piano adaptation "Battle Typhoon" from the perspectives of creative background,artistic conception,rhythm,aesthetic characteristics,and artistic value;The second part analyzes and interprets the nationalized musical characteristics of the piano adaptation "Battle Typhoon" from the perspectives of melody morphology,rhythm,harmony vocabulary,and timbre imitation;The third part expounds the nationalized artistic expression of the piano adaptation " Battle Typhoon " from aspects such as imitating the sound and rhyme of the Guzheng,emphasizing the performance of "linear thinking",and embodying style association,thereby vividly displaying the national charm of the music.Through the research in this article,people can have a certain understanding of the national style of piano music adapted from Guzheng music,which can provide some theoretical reference and basis for other scholars to study the same type of piano music adapted from Chinese national instrumental music.At the same time,it can also provide some help for piano learners to better grasp the national style of Chinese piano adaptation music,thereby continuing the vitality of Chinese piano art Promoting and promoting Chinese national music and enhancing cultural self-confidence bring positive significance.