How To Play Roles From Shape To Spirit

In recent years,a large number of exciting films,TV shows,and stage plays with a sense of patriotism have emerged in the market.Their success is inseparable from the good skills of the actors and the support of the audience.Character shaping should have both form and spirit,and when actors play live roles,they not only need to perform in form but also in spirit.The introduction section elaborates on the research background and object,research purpose,significance,research methods,and ideas.Chapter 1 introduces the origin of the work and paper.The author participated in two different plays,namely "Never look back" and "The Ripe Sorghum"..Starting from the introduction of the work,the first chapter of this article studies the impact of experiencing life and using one’s own emotions on the portrayal of actors’ characters,aiming to explore the innovative use of actors’ personal characteristics and acting skills to complete the portrayal of low-level characters.At the same time,take the work as an example to explore the creativity of actors and analyze the relationship between actors and characters.See how actors overcome conflicts between themselves and their characters to achieve the goal of character shaping.The author chooses the characters from these two plays to explore.The key content of Chapter 2 of this article takes the two characters created by the author,the disaster victim Ermangzi and the villager butcher apprentice,as examples.It elaborates on the similarities and differences in character images and the differences in historical backgrounds.Through comparison,it is hoped to explore some viewpoints on how actors can make their roles come alive from their own perspective in performing arts,as well as the key to the level and changes of actors’ performance based on the role’s survival.And in order to convey and interpret the character’s information in a moredetailed manner,the character presents an effect that combines form and spirit.To achieve the sense of hierarchy that actors should possess technically,they must move from the external "form" to the internal "spirit" of personality and motivation,and establish coherent and fluent internal logic to ensure the authenticity required for character presentation.Chapter 3 elaborates and argues on which aspects of preparation an actor needs to make beforehand.Discuss from physical training and desk analysis,as well as whether actors are emotional or rational.Finally,make a conclusion.