| The term "acrobatics" was proposed by Premier Zhou Enlai in 1950 and finally became a synonym for this type of the traditional Chinese art referred to as "acrobatics".Acrobatics is a kind of body art created by primitive ancestors in production practice,showcasing human production and life scenes such as hunting,picking and sacrificial offerings,embodying humanity‘s desire to conquer nature and pursue freedom.Acrobatics,as an art with profound cultural heritage,is an inseparable core of aesthetic research.The contemporary acrobatics studied in this paper mainly refers to the period from 1976 to the present.Combing the development process of acrobatics,the aesthetic performance of acrobatics has changed,acrobatics has changed from a simple street juggling to the stage art combining elegance and modern sound and photoelectric elements.Based on this,the visual horizon of the acrobatic audience has changed,leading to a change in their expectation and vision of acrobatics,and thus enriching the aesthetic value of contemporary acrobatics.On the whole,contemporary acrobatic culture has a strong sense of depth in history and a profound accumulation of internal native culture.At the same time,contemporary acrobatics integrates contemporary aesthetic concepts,technological advantages and other factors,completing the fusion of perspectives and generating new aesthetic paradigms.We plan to examine contemporary acrobatic from multiple academic perspectives,including aesthetics,acrobatics aesthetics,and cultural anthropology.Through in-depth analysis of aesthetic expression,aesthetic acceptance and aesthetic value,we summarizes the aesthetic characteristics of acrobatics,explain its characteristics that occur in the contemporary social context,analyze its roots,explore its aesthetic law,and attempt to explore its potential value in contemporary construction an aesthetic perspective,propose feasible path to specifically address its development challenges.The whole text is divided into three parts: introduction,four chapters and conclusion. |