Exploring The Creation And Performance Techniques Of The Zhongruan Concerto "Songs Of The Great Wall

Ruan was originally called "Qin Pipa" and was lost from the Southern and Northern Dynasties to the Sui Dynasty.After it was rediscovered in the Tang Dynasty,it was loved by the literati and aristocrats,but it declined again after the Song Dynasty.In the 20 th century,Ruan,an ancient and young musical instrument,was revived with the rejuvenation of the Chinese nation.Many composers began to compose music for Ruan,working in rich forms,including solos and concertos,which laid a solid foundation for Ruan’s development.The Chinese Ruan Concerto "Poetry outside the Wall" was commissioned by the fourth Taipei City State Orchestra in 1991.It is the only Chinese Ruan Concerto composed by the composer.In the style of Xinjiang music,this work depicts the strange and magnificent scenery outside the fortress.The creation melody aspect has strong color and recognition,while the harmony aspect adopts a more traditional way.This paper will mainly from three parts,the first part of the background of the background,the second part of the creation of works features and harmony characteristics of detailed analysis,the third part through the research right hand playing skills of works "the poem",a deeper step of exploration.The author combines the creation background,characteristics and performance skills with the analysis and performance,summarizes the regional style and the uniqueness of the music,so as to help the players to better interpret the music.