"Fictional Autobiography"--Analysis Of The Play Of The Diary Film "Caro Diary"

Diary film first appeared in the direct film period of 1960 s,and then developed various modes."Fictional autobiographical" is a special type of diary film.In Nanni Moretti’s film Caro Diary,fiction and autobiography are creatively combined.In this paper,a case study of the fictional autobiographical film Caro Diary is carried out through the play mode in Pierre Jean’s Playwriting Technique.Including the play proposition,play structure and role setting.The main body of this thesis is divided into four parts: the first part is to analyze the theme connotation expressed in each chapter of Caro Diary one by one from the three chapters of the film;The second part analyzes the layered construction of the film block structure,from the overall structure of the film gradually in-depth to "chapters" and plots;The third part analyzes the contrast between "role" and "self" through the particularity of the role in "fictional autobiographical";The fourth part is professional ability display.In the analysis,this paper combined the historical and cultural background of Italy,the director’s creation style in the past,the change of diary films and other materials,a relatively comprehensive review of the special narrative mode constructed in the "fictional autobiographical" Caro Diary,and gave guidance to my own practical creation.