Research On The Creative Strategy Of "documentary +" In Intangible Cultural Heritage Documentarie

How to balance documentary and aesthetic attributes? This is a major challenge for documentary workers.The creation of modern documentary pursues a "real life",but what should be accomplished should be "the reality of art".The documentary should not only record pictures and transmit information through documentary,but more importantly,trigger aesthetic appreciation and express ideas.In the process of creation,if we only focus on the record and ignore the performance,regardless of the emotional and aesthetic needs of readers,then the creative path of creators will become narrower and narrower.If we pay too much attention to audio-visual performance,even at the expense of documentary,then documentary can no longer be called documentary.The author’s intangible cultural heritage documentary "The Paper Umbrella on the Road A",graduation work,tentatively adopts the creative strategy of "documentary+",and takes the scene reappearance as the expression way,trying to show the enthusiasm and persistence of the people in the past and present lives of the paper umbrella on the road A and the handicrafts to the traditional culture.This paper,taking the graduation work as an example,theoretically explores the possible path of "documentary+" creation of intangible cultural heritage documentary.This article mainly elaborates from five aspects: The first part is the introduction,which discusses the reasons for the topic selection,the purpose of the research,the current situation of the research and development of the documentary creation techniques of the inheritors of intangible cultural heritage at home and abroad,and the research methods of this article;The second part is to discuss the documentary and emotional authenticity of the documentary material;The third part is the analysis of "documentary+" creative strategy,which is explained from two main dimensions: the fusion of "documentary+" concept and the use of creative techniques;The fourth part is the author’s summary and reflection on the application of "documentary+" in the graduation work;The fifth part is the conclusion.This paper believes that only by adhering to the creative strategy concept of "documentary+" and grasping the balance and development of documentary and aesthetic quality of intangible cultural heritage documentaries can China’s intangible cultural heritage documentaries shine brilliantly in the new er...