On The Musical Life Of Tianjin Quyi From 1949 To 1965

Tianjin Quyi music is rich and colorful,inheriting and innovating,and has evolved into a unique Quyi cultural form.Based on research methods such as historical data research and literature analysis,this paper takes the development of Tianjin Quyi music life from 1949 to 1965 as the research object,and analyzes the ecological environment of Quyi music.The activities of Tianjin Quyi Troupe and the performance activities and development of Jingyun Dagu,Tianjin Shidiao,Meihua Dagu,Laoting Dagu and Danxian in Tianjin are retrospectively analyzed and studied.The author believes that,based on the unique geographical location,cultural environment and unique mass base,Tianjin has produced a large number of talents in the Quyi circle,which has brought the reputation of "the hometown of Quyi in northern China" to Tianjin and become an influential metropolis in modern times.During this period,with the increase and expansion of Tianjin Quyi groups and the recognition of Quyi music by the audience,the spread and development of Tianjin Time Tune and other forms reached the peak,the Danxian and Jingyun Dagu and other forms also achieved unprecedented development.Generally speaking,the development of Tianjin Quyi music showed a trend of development in twists and turns from 1949 to 1965.At the same time,it showed the characteristics of paying attention to the mining of traditional repertoire and the creation of new repertoire and the close connection with social life,and paying attention to the cultivation of Quyi talents.