Space Production Of Urban Tourist Pedestrian Street

At present,due to the rapid growth of domestic tourism industry.A number of domestic tourism cities,such as Chengdu,Chongqing,Xi’an and so on,with the help of its short video platform,with its unique image and characteristics to become "red" cities.Tourist cities almost all have a well-known,for tourists to visit the "Red" pedestrian street."internet celebrities" pedestrian streets can be called urban tourist pedestrian streets.They are usually made with representative local characteristic buildings,delicacies,commodities or cultural symbols to display the city’s image,a visual landscape showing the unique historical and cultural charm of a place for tourists to enjoy.Achieved the city image propaganda,and promote the economic growth of tourism and other purposes.The creation and operation of urban tourist pedestrian street in fact has the character of "productive space",which was put forward by sociologist Henri Lefebvre.Its production stems from political and economic intentions,not only as a physical pedestrian street space,displaying a variety of visual landscape for visitors to visit;its cultural message is also considered as a symbol of the city and place,it constructs the tourists’cognition and imagination about the tourist destination,connects the social relations among different classes and groups,and attaches itself to the unique social texture.Based on Henri Lefebvre’s space theory,this study aims to examine the urban tourist pedestrian street,a modern urban productive space,from the perspective of communication.In this paper,the author chooses the famous pedestrian street of Xi’an,a new "Internet celebrity" city in recent years--"Datang City Without Night" pedestrian street as a case.First,using a content analysis approach,this paper explores the space production and the city image narration of Datang Night City Pedestrian Street through the choice of space elements and structure layout,the logic of space and space relationship and the way of combination and connection,the interaction and participation of space and people Secondly,on the basis of content analysis and semi-structured interview,this paper analyzes the communication effect of this urban space production practice from three dimensions:material space,cognitive space and relational space Thirdly,from the perspective of "the practice of daily life" by Michelle Desseto,the author discusses three aspects:adaptation and subversion,walking and roaming,and consumer resistance,to sum up this cultural production caused by the bottom-up resistance and response;finally,this article also concluded that,the practice of space production and visual communication in tourist pedestrian street is a kind of consumer culture production dominated by modern capitalist production structure,and has the characteristics of post-modern cultural products.