Research On Marginal Response Of Domestic Subtitle Group

As a cross-cultural communication messenger,the subtitle group has had an important impact on China’s film and television cultural communication order.The negative attributes of the subtitle group have caused disorder in the field of domestic film and television culture communication,and the mainstream has conflicts with it from time to time.Therefore,it is necessary to correctly understand the relationship and interaction process between the mainstream and the subtitle group,and explore the role and situation of the cross-cultural communication of the subtitle group.From the perspective of cross-cultural communication,the study interprets the "marginal response"of the subtitle group based on the theory of "marginal people".Through online ethnography and in-depth interviews,this paper explores the network information about the subtitle group,deeply understands the subtitle group,summarizes the current situation of the subtitle group,outlines the unique "marginal" characteristics of the subtitle group,and finally depicts the "marginal" response of the subtitle group,and explores the future development path of the subtitle group.The paper is divided into five parts:the introduction part summarizes and analyzes the current research status of subtitle groups and the relevant research on the theory of "marginal people" at home and abroad,explains the relevant theories and concepts involved in the paper as necessary,and points out the research content and research significance of this paper;The first chapter combines the traditional evolution of translation in China and the development of the Internet,explores the historical and cultural background and practical factors that promoted the birth of the subtitle group,and starts from the policy changes and Internet development trends,sorts out the development context of the subtitle group and depicts the current situation of the subtitle group,so as to grasp the development picture of the subtitle group as a whole.Chapter 2 provides an in-depth analysis of the "marginal people" types and characteristics of the subtitle group;Chapter 3 writes the "marginal reaction" of the subtitle group from three aspects:social marginality,cultural marginality,and psychological marginality;Chapter 4 starts from the existing difficulties of the subtitle group,and puts forward earnest suggestions for the future development of the subtitle group in view of the pain points of the development of the subtitle group.Through the participatory observation of the subtitle group and the combing of relevant network materials,this paper concludes that the subtitle group presents a marginal response in three dimensions of social marginality,cultural marginality and psychological marginality in the interaction between the film and television culture communication field and the mainstream,and constantly reshapes itself in the "marginal reaction",which also reshapes the film and television culture communication order in China.