The Exhibition Space Design Of Guilin Longji Terraced Field Cultural Ecology Museum Under The Space Ternary Theory

As the only mountain vertical rice production system in Guangxi,Longji terrace is a terrace productive landscape and cultural heritage with highly humanized natural traces,which has been continuously developed by Longji ancestors,subjectively transforming natural attributes according to production willingness,and transforming steep cliffs into rice terraces.It has multiple values such as ecological aesthetics and rural customs.However,with the continuous extrusion of traditional local living space by foreign culture,the protection of culturaldiversity of Longji terraces has faced severe challenges.As a new type of cultural display carrier,the ecological museum emphasizes the overall protection,local protection and extensive participation of residents,which not only protectsthe regional culture,but also promotes the development of rural cultural tourism.However,field research has found that although a lot of practice has been carried out in Guangxi,it is still based on the superposition of the number of traditional museums.It is difficult to systematically display regional culture,unableto meet the needs of live learning,and the design of ecological museums for regional expression and thematic display needs to be improved.Lefebvre dividesthe dual space into three attributes,namely natural space,spiritual space and social space,and corresponds it to the spatial ternary dialectical system of spatial practice,spatial representation and representational space,which helps to transcend the single expression and traditional form of space and effectively expand the multi-level connotation of space.First of all,the domestic and foreign research and practice of space ternary theory and eco-museum concept are sorted out,focusing on the interpretationof Lefebvre ’s space triple and the transformation logic to space ternary dialectics,and clarifying the feasibility of combining space ternary theory with Longjiterrace cultural eco-museum design.Secondly,based on the field investigation and questionnaire survey of eco-museums in Guangxi,combined with the development stage of China ’s eco-museums,this paper summarizes the problems existing in the construction practice of eco-museums in Guangxi,analyzes the design deficiencies of eco-museums in Guangxi,and discusses the way to establish a stable integration relationship between eco-museums and community cultural environment,so as to realize the holistic,sustainable and extensive participatory protection path.Thirdly,from the three dimensions of ’space practice-space representation-repres entational space ’,this paper explores the ternary relationship and logic inthe space of ecological museum,and constructs an analytical framework for the application of space ternary dialectics theory in the design of terraced cultural ecological museum,so as to guide the generation of design strategies.Finally,the design practice is carried out through the strategy constructed above.Based on the translation path of Longji terrace cultural eco-museum under the guidance of spatial ternary theory,combined with field research and interview questionnaire data,the specific forms of Longji terrace rice culture andhistory development,rural customs,cultural connotation,physical exhibition andso on are clarified,and the corresponding display techniques are used to createa unique style of eco-museum architecture and exhibition space.Meta-relationship and logic construct an analytical framework for the application of spatial ternary dialectics theory in the design of terraced cultural and ecological museums,so as to guide the generation of design strategies.Taking the Longji Terrace Cultural Eco-Museum as the research object,thedesign strategy of the eco-museum is guided by the spatial triad theory,and the identity,complementarity and effectiveness of the combination of the spatial triad theory and the eco-museum concept to enhance the cultural space experience are verified.It provides a reference for improving the integration mechanism of public cultural space and native communities,broadening the systematic protection in ethnic minority areas,and realizing the sustainable development of rural cultural tourism.