The Evolution Of Buddhist Ritual Music In The Past 30 Years And Its Inheritance

Tradition is a river, the passage of the years in the course of history, the Chinese traditional folk music heritage of the four sections of music, literary music, court music of the already precarious, or ecological no deposit, or subject demise, or rheology easy to shape, or by man-made modification, or a museum-type rigid, and Buddhist music as an important part of Chinese traditional music as an important national cultural heritage, more and more home and musicologist regarded as treasures, still widely exist in the world Living. I ask what supports its presence and tight Living heritage in the end? Nearly 30 years is the age of the rapid development of Chinese society and rapidly changing the face of changing thousands external world, in the Contemporary cultural conditions Buddhist music heritage is in the process of change? To what extent the change? It changed and unchanged is what effect? To these questions, academia has no specific empirical case studies related to the level of cognitive stays in the sense of, not specifically clear proof. These problems are bound to affect the essential characteristics of Buddhist music in-depth understanding of the impact to the correct attitude and operational means to save development held by contemporary scholars of Buddhist music, our excellent traditional cultural heritage will inevitably be hampered. Specialized research article on Buddhist ritual music and heritage, not only helps to further cognitive status quo religious music heritage of our country, but also can provide a suitable reference value for our modern education, these are the issues to be studied in this paper.In this paper, based on a wealth of literature, to a large number of fields based on field trips, to fully grasp the first-hand research material, the use of literature, music analysis, dual perspective of fieldwork, comparison method. I choose two crater ceremony music of the Luohan temple of Chongqing city as a full portrait Living compare specimens, study materials are used in the field of raw material Record with fresh practicality. By comparing the detailed interpretation of the study of Buddhist ritual music and the evolution of morphological characteristics of the conservative heritage features, educational heritage properties and inspiration to modern education in the history of the rheological and other content.This article research conclusions are as follows:First of all, the history of the ritual music the overall height of the steady state, change more for small local factors. Old and new version of the ritual music of ritual and music structures used on macrostructure, twist structure to maintain strong conservative. The study shows that in the history of the ritual music melody of the overall trend of the development of the "form" in a relatively steady state, will not easily change. Two versions of the whole music content consistent with strong religious function, in contemporary ritual music not only have a stable and lasting aesthetic core functions, and then has a strong conservative factors, long-term stability and historical continuity as the support power. The concrete empirical FoLe does music "live cultural relic" features, reflects the buddhist in the social cultural change and the impact of the new trend, still stick with the religious tradition and stable inheritance down form the change the world of constant in the world. This is as a kind of special art form the foundation on which to exist and play contemporary significance. This is one of the main innovation points in this paper.Second, the subtle changes in the music reflects the Buddhist concept of the social and cultural impact of the impact of self-adjustment response status. Yoga for the Luohan temple of Chongqing city, I crater ritual music, the old version and the new version of the whole remains unchanged, based on the fundamental nature of the formation of fine sequencer, rhythm patterns and other changes, although the two versions are different from the characterization of the conflict in stark contrast to the form, but slightly changed place still reflect the different "charm" of the style characteristics. The old version features soft euphemism melodic flow lines around progressive spin method, to be free of rhythm, and not be slow speed, important areas more in line with ancient Chinese literary aesthetics-the feminine of silence have aftertaste subtle aesthetic attributes of beauty, more accurately explain the Buddhists great deep, and the pursuit of religious ideas xujing inoffensive, soft, simple, quiet, peaceful charm aesthetic style of beauty. The new version features towering blunt, straight up and down jump into melodic, rhythmic stereotypical norms, agitation speed too fast, it is clear the impact of the new version by the secular atmosphere, reflecting the sharp rise and fall of the secular, compared to the conflict, trouble impetuous move in pursuit magnitude more Zhen, regret moving Xinjing is more beautiful aesthetic style features. However, the old version and the new version of the musical form of subtle factors that cause different musical styles crater fundamentally produce very different aesthetic effect and inheritance system. Such subtle differences in crater traditional and contemporary music reflects the concept of open, pluralistic values, cultural differences and seek innovative aesthetic properties, but the reason for this difference is the old version and the new version of the place where subtle changes. Ritual music system throughout the ceremony presenting the most active part of the state, while the mutation affects the most vulnerable to the external environment, while due to the changing times brought change, but the old version and the new version of chongqing arhat temple accept different inheritance systems the whole ritual system will stick to that its traditional belief system has not changed, this stick is enough to reflect its conservatism.Third, modern education inheritance system formed by the conflict is the real cause of buddhist ceremony music different flavor style. Institute of buddhist learning still pay attention to teaching between teacher and pupil in succession, recessive religious rituals and keep the conservative religious ritualized continuity function is the cause of the inheritance of education, social education cause of the change in succession. Old and the new inheritance hierarchy and traditional pass under the impact of the secular concept are different social education cause of the change in succession. The Luohan temple of Chongqing city yoga keep hungry ghosts who spit fire ritual music "ritualized" continuity function, there is no direct involvement of professional colleges and universities keeping the orthodox "blood" of the entity, and having the traditional and the generative mode of inheritance, one is to keep the teaching of religious function, the other is to embody the cultural concepts in society under the impact of self-adaptation reaction condition. Such characteristics is formed over the past 30 years, its overall keep steady development, change only for microscopic details of the important reasons. Hungry ghosts who spit fire ritual music and arhat temple yoga the survival and development is dependent on the fixed place of a temple. Temple in the fixed place for it play a role of protection and inheritance, those existing in the fixed place can keep the fresh development trend and the pure traditional style style.Fourth, inheritance system of buddhist music in the Luohan temple of Chongqing city shows a strong education, education features. Buddhism music ceremony art and education, the combination of the Buddhism music outside the conventional and internal development unifies, buddhist music education evaluation process and outcome and the diversity of the buddhist music ceremony activity and heredity is looking at the Luohan temple of Chongqing city during the transmission of Buddhism music education characteristics shown; Do all the education characteristic of modern school education has important inspiration and reference:the development of modern school education goal should be to people as the goal, the modern school education evaluation should be taken to developmental evaluation as the main evaluation methods and the modern school teachers "inbreeding" should be avoided.I choose two crater ceremony music of the Luohan temple of Chongqing city as a full portrait Living compare specimens, all-round, multi-angle study the conservative state and the extent of the problem changes, aimed at empirically, Buddhist music education through accurate knowledge in a particular historical period transmission way, style, degree of detail, looking for Buddhist tradition for thousands of music has its inherent law. By comparing the two versions of Buddhist music, a comprehensive display of old and new versions of a full program of music crater ritual use; detailed study of Buddhist music in the history of the conservative rheological and morphological characteristics of the evolution of music; to reveal the characteristics of Buddhist ritual music heritage; exploration formation and Evolution of conservative; summary educational heritage properties and Implications for modern Education 30 years. The case study method and conclusion that research ideas can save the status of the characteristics of traditional Buddhist music is contemporary with a specific sense of the case material and some with inspiring new ideas, providing richer research space for similar studies, birth of a new field, a new understanding, new ideas and new theories.