The Boundaries Of The Picture

Gombrich, "art and illusion", answer why art has a history of this problem, he to we take for granted about artists in portraying reality, why have so many style as a starting point for the re examination of many people think is the natural concept, changing the our understanding of some of the key issues. In Gombrich’s study, it involves a large number of classical literature and many branches of modern science, so that the theory not only has a profound knowledge base, but also to a certain extent, the accuracy of the scientific. His "art and illusion, a book since 1960 with the publication in the academic circles caused widespread concern, is an important document in the history of Western thought in the 20th century, in addition to have a significant impact on the humanities and Social Sciences, but also deeply ground wave and to the field of natural science. As we know, from the classical period to Raskin, art has been regarded as a natural imitation of the nature of the reading. However, from early in the form of schema to the recent Western art photo, reflecting the from reproducing known to reproduce the see things change and change, also contains the growing interest in traditional schema, supported by the psychology of the new discovery, all sorts of these found that perception does not begin with individual feeling, but begins with the generalization of the understanding of whole world.Gombrich "art and delusions" theory is a broad and profound art treasures waiting for us to explore. It has the practical significance is incomparable, it to the later generation artist creative thinking of the excitation function is immeasurable. Again we read classical solution, in the spirit is to realize its real connotation and profound understanding of artists in the past the kind of innovation and change and bold experiment. This paper tries to make a systematic study on the Gong’s academic thoughts, provide some enlightenment to our discussion.