On The Reestablishment Of Ming Dynasty's Ci-poetry

The development of Chinese Ci-poetry is a whole process. The Ci-poetry's features of one dynasty cannot be replaced by the others .But the study of Ci-poetry has overlooked the idea, and make use of a judgment from Song Ci—poetry. So, the idea of the vanish of Ci-poetry in Ming dynasty has been taken shape.True, Song Ci-poetry has very high artistic attainments.But Song Ci-poetry is not the end, instead of that Yuan Ming Qing dynasty's Ci-poetry are the history development of Song Ci-poetry, and present a new look. So the first and foremost step is going to seek true features of Ming Ci-poetry by scientific principle.The dissertation has two thinking process: one is to liquidate ideas, the other to reestablish fundamental views based on the fact of Ming Ci-poetry. The paper is going to emphatically examine the context of the idea of the vanish of Ci-poetry in Ming dynasty, and going a step further to rethink the context. Following this, we must put aside the idea of the vanish of Ci-poetry in Ming dynasty, and direct face the Ming Ci-poetry. On closer investigation and statistic of the birth place, we find a fact that 61.2% Ci-poets of Ming dynasty come from the region of WU, except the writer living abroad. Besides, the culture of the region of WU effect the Ming Ci. By synthetically study, we take the Ci-poetry of WU as Ci-poetry of Ming dynasty. So, this thesis take the concept of the WU's Ci-poetry to reestablish and expound the Ci-poetry of Ming dynasty.Dissertation has larger interests in the culture disposition of ci-poet of Ming dynasty. The process of create by the Ci-poetry of Ming dynasty is different from the Song dynasty's, in view of this they have different aesthetic consciousness. The culture disposition of ci-poet of Ming dynasty has three phase: artistic style, popular style, political style. Along with, the style of Ming Ci-poetry has variation.