The Study On The Tragic Of Chinese Traditional Opera

Sorrowful feeling and bitter mood is the most important style of the tragic expression of Chinese traditional opera, but there is a trend that creat the tragic circumstance become more and more distinct in the course of the literatization.The development and evolution signifies the extent to which the tragic conscionsness has matured in traditional opera literature.Happy ending is the main plot pattern of traditional opera ,which as a sign that the tragic conscioness is very weak in Chinese culture.In fact, between the late Ming Dynasty and the early Qing Dynasty ,the style of traditionalopera come forth to tragedy__oriented, pessimism becomethe main aestheticstyle.There are greatly difference in words type , structural pattern and exchangeable stystem between Chinese traditional opera and Western drama,that affects the aesthetic style of traditional tragic opera .Tragedy idea of Chinese traditional opera has gone through three development phases.Theory of Yuanpu and bitter mood is the foundation. Zhuo Ren-yue and Jin Sheng-tan'pessimic aesthetic taste replenished important essential factors .Wang Guo-wei'tragedy thoughts did have things in common with the tragedy literary ideas between the late Ming Dynasty and the early Qing Dynasty,his thoughts signfise the perfection of traditional tragedy idea.