On The Embodiment Of The Tragic Tradition In The Chinese National Opera "The Daughter Of The Party"

Chinese national opera is a member of the family of dramatic art in our country, it has alwaysbeen based on the national big music fertile soil, inherited from the core elements of Chinesetraditional opera art, draw lessons from the western opera creation technique and performanceprogram, have adopted national spoke with Chinese characteristics, and in accordance with the agecharacteristics, meet the emotional needs of the Chinese audiences, with Chinese traditionalaesthetics and the spirit of contemporary culture value connotation as own duty, is one of the jewelsin the art treasure of the Chinese nation.From the numerous national opera articles found in thestudy of carding, most studies are from the history of opera, music style, image creation, singinganalysis, artistic features in many aspects, such as the comb, description, analysis, sorting, summedup and summarized.The aesthetic of Chinese national opera is inevitably involved in the Chinese traditionalaesthetics in the academic field of sadness as beauty, this article will try to put national opera classic《Daughter of the Party》under the perspective of Chinese traditional culture, through the structure,music structure, conflict and drama program parsing, combined with traditional Chinese culturewith sorrow as beauty as the aesthetic value orientation, the history of humanity, expounds its tragicimplication of the drama, music, singing, performing, sad beauty in Chinese traditional folk opera isdiscussed the value and significance of the theme. To explore the root causes of sad beauty, ask itscharacteristics of beauty, interpret the cultural value of beauty.