The Study On The Oral Account Of The Narrative Folk Song

Narrative fork song is a kind of art with the Horqin geographical and culturalcharacters. Oral narrative is a changing system. This paper described the narrativefork songs from the four aspects: narrative origin, narrative content, narrative formand the narrative process of formation.In the chapter One, the author explored the oral narrative roots of narrative forksongs. In the process of formation and development, the narrative fork songs hadabsorbed non-verbal narrative arts and the narrative fork songs inflected the oralnarrative in turn.The second chapter, the author discussed the content, cause and style of thenarrative fork songs. It mainly sings and praises heroes and loyal love, criticizes thefeudal marriage, reflects lama's love story, and embodies the narrative fork song'stragic, sadly, humor and ironic styles. The oral narrative of narrative fork songs areconsist of a integrity story plot for key figures and a more stylized oral form. TheHorqin Mongolians gradually formatted the self-consciousness which become thenarrative impetus, thus the Horqin Mongolians mastered the narrative power.In the chapter Three, the author had investigated the oral narrative mode, formulaand forms of narrative fork songs. the narrative fork songs include two forms ofnarration and characterization. It is a matrix to introduce the birthplace of the keyfigure and the chief story plots, at the same time, it also become a fixed mode of forksongs. In oral narrative of the narrative fork songs,the beginning, development,climax and ending are more stylized.In the chapter Four, the author simply discussed the oral narrative formation ofthe narrative folk songs. The folk actors such as Hoorch put on a show in Horqindialect and proverbs. Because of their character of oral creativity, the narrative forksongs have developed a great change. Every time when they perform, they create anew version.