| Research purpose and main points: China's aesthetics has been influenced by western traditional theory of knowledge and theory of reflection since last Century, with art theory stressing on the relation between the subject and object and on the theory of typicalness, which is a good bleeding with how Chinese traditional thought of the syncretism of human and heaven. In order to have the enlightenment, this article adopts ancient Chinese aesthetic theory and two of contemporary western philosophical theories and compare them. This article firstly proves that the formation of "Yinxiu" is influenced by the thoughts of Laozi-Zhuangzi, while the "Xianyin" theory is also enlightened by Laozi-Zhuangzi theories, thus to discover that "Xianyin" theory and "Yinxiu" theory are related closely to each other.Chapter one a new probe on "yinxiu" theory-an exploration on the source of philosophical aesthetics,Chapter two a probe on "yin" in both "yinxian" and "yinxiu" theory,Chapter three the poetic meaning of the two theories and the interpretation on the identity of humanity,Chapter four the abstract oneness of the two theories: the transition between "xian" and "yin" in the nnity of the world. Chapter five an analysis on the commonness between the two theories;Enlightenment and conclusion,Judging the differenciation of the two theories from the origination of the thoughts,Attempting to propose the theory on the synchronous"xian"and"yin".Basic chain of thought and methods in research: around the relations as in context and theory,concrete and absolute, prosent and past, practice and aesthetic ideal, present and absence,construct three-dimensional frame of reference and then begin comparison between Chinese and western cultures, and then induce the comparison according to the preposition, starting from the part of "Yinxiu" and from the general connotation of "Yinxiu" theory from outside context. This article searches for supporting evidence of relation from the outside of this article with human culture and thoughts of Quanshu, Pre-Qin and Wei&Jin periods. Using "Yinxiu" as stand, this article searchs for cultural background of the formation, philosophical evidence and the state of social culture, in order to explain and enlarge the meaning of "Yinxiu" from different angles. In the above mentioned analysis with reference to the theory of "Xianyin" and the comparison between "covert" and "overt" , this article searches for and studies the reason of communication between the two theories to induce the main ideal of "Yinxiu". A new thought and understanding of "Yin" is covert principle-culture seeking covert-the yin of "Yinxiu"--towards contextual mysteries, for"Yinxiu" stressing on covert is the main body, and furthermore, it makes the covet-mysteries interaction very changeable, this is to prove that covert dialectical thinking pattern from Zhouyi. All in all, yin is far mysterious, remote, absent, unrevealed, it has to be symbolized to be understood, which reminds readers of the original meaning that is, in some degree, mysterious. It is the prime standard whether or not literary works have "Yin". This article argues that "Yin" can be divided into two parts. The first is that "Yin"is the starting point, while the second is that the poetic connotation of "Xiu" existing in the far remote area outside the context, it is related to the "Yin" Orientation in the form of "Yin -Xiu-Yin"."Yin-Xiu" relation is the unity of meaning, utterances and resemblance."Yin" doesn't mean to pursue the obscure meaning but rely on hard mental working. "Yin" attracts people to explore resorts. In the Yin-Xiu idea exists the mysterious idea combining mystery of Laozi, Zhuangzi, Yijing, Metaphoric Phenomenon Theory, and Buddhism, which is exploration in converse direction, and is of philosophical enlightenment. It insists on the limitations of the heavenly principle.The latest research progress of this article: "Xiu" must be overt, and super-advanced subjuctive mood, but overt may not be "Xiu", thus to prove that the post critics on utterances or articles of "Xiu" is somewhat reasonable, but since "Xiu" falls into routine and concrete so it is limited. This article creates a multi-level dynamic system to explain "Xiu" thus to make all debates find their way out. The life meaning and sign in the sphere of "Xiu", the unity of human culture and nature,human's "Yin" and culture's "xiu" are respectively developed from each other, "Yin-Xiu" are synchronous."Xiu" and "Yin", over and covert, they each construct a three -dimensional deep context."Yin" is basic, to which Xiu is second .Yin-xiu theory is related to Buddhism creed."Yin", "Yi","Xiang","Yan","Xiu", they have progressively advancing relationships in the meaning. "Yin" is like the huge sea, while "Xiu" is just a corner of an iceberg coming out of the surface of the sea. "Xiu" can be expressed thoroughly, but can't be judged logically. So, at last, it belongs to "metaphoric" and "void".This,together with"mystery in mystery"is the instance of the limitations of the universe. Besides, this article also finds that the theory of ''Yin" as the origin is mechanically-applied use of the story of "Xuan Zhu" explaining the relation between water, beads, principle, and article, showing that rigid formula of appreciating beautifulness mast be canceled. "Yinxiu" theory is the origin of "context" theory of the later time. This is because "ShiJing" a book describing "xiang" of individuals, ignoring the space around objects for the search of context in "Yiuxiu"."Yiuxiu" theory has influenced the poetics of Si kongtu, Jiao Ran. Ou Yangxiu. Mei Yaochen, Wang Guo wei. But it is a pity that "Yinxiu" theory was ignored.Now it is proved that "Xianyin" and "Yinxiu" are related to each other. Under the some background they are developed to cancel the rigidity of philosophy. In antient China, people valued the idea of syncretism of Humanity and Heaven without telling the opposition between subject and object. While "Xian yin"theory tells the idea of the syncretism of Humanity and Heaven, stating the opposition between the opponent part and I. Both regard "Yin" as the base of the universe, realizing that all things are one unity. And both insist on poetic beauty, intuition, and super concreteness, which will come to transparency. Both think that literature is human's knowledge, it is human that bears "Xiu", and also human who strives for "Yin". Both have transparent and covert analyzing methods, and both think the covert and overt in the world is complicated, and seeking truth is difficult. Both feel it regretful that life is short and hard ."Xianyin"theory advocates "poetic covertness, and "Xianyin"theory then advocates covert, they share similarity. In literary expression ,"Xianyin" adopts different methods, in accordance with "sentence structure can not become the standard of the model of objects structures"advocated in "poetry,languagethoughts thoughts. Both relate articles "Yin-Xian"to the original meaning. Liuxie opposed rigidity, which is in accordance with the analyzing methods in "Temple"and"Shoes by Hydger. Analysis, of the"Temple",''shoes"shows obvious metaphor, but is different from symbolism. The research above shows: Firstly, this article has the creative result, that if has absorbed the two essential factors relating reality with ideal, concrete with origin, and has created a frame of Xianyin evolution theory , and has found that overt-covert interchangeable sign is the multiplayer system of order ,mental, state and formation. And through language, emotion subjunctive mood, science and technology. education , management and other view of angles ,we can prove the value of this frame suggestion. Secondly: the two theories are interchangeable in many aspects, this conclusion is correct, because principle is the great achievement of Chinese culture. Hydger's believing in and absorbing of Laozi thoughts suggests that China is really the hometown of the theory of unity of Human-Heaven. Which suggests us that in the new century, we should absorb other nations'advanced thoughts to strengthen our soft strength , and join the world talking .Thirdly, Laozi influenced Liuxie. furtherly, "Xianyin" theory, made its influence on the west culture. While "Xianyin" theory has deep influence the other way round on modern China's philosophy, making civilization rise spirally, as if making it come back the starting point. The surpassing space and time talks between the above theories, have influenced civilizations of alien countries, being profound and setting people thinking. Different in history and national conditions, yet they share the same unity of Human-heaven theory. China's new century aesthetics, how can it gain criterion and demeanor? This is worth deep thinking and studying. |