The Growth-fadeaway And Battling-transforming Between The Character Of Mundane World And The Character Of Revolution In Literature

This dissertation treats Chinese literature between the year of 1942 and the year of 1965 as a relatively independent and sustained discourse system. Through the view of"mundane living of revolution", based on the relationship of the literature works,the writers and the conditions of the era, the dissertation researches the reaction and relationship between"the character revolution"and"the character of mundane world"in the Chinese literature of the year 1942-1965.The introduction mainly presents the angle of view,the arrangements of the study,and the method of research in this paper. The angle of view taken for the research is the variety of"the mundane elements"in the revolutionary era,and the results of reaction between"the character revolution"and"the character of mundane world"in the Chinese literatures. After a chief introduction regarding the differences and the arguments on the view of revolutionary works of the 20 century in the study fields nowadays, the paper presents the arrangements and the method for the study view of the Chinese literatures, especially for the Chinese revolutionary works in 20 century. Then the paper presents the integral idea of the research which is the emphasis of the introduction: the idea of mundane revolution. That is: on the one hand, the revolution regulates,changes,and re-associates the mundane world; on the other hand, the mundane living transforms,absorbs and undertakes the revolutionary discourses. And the paper will find how all these elements be described by the writers through the aesthetic method.The title of Chapter I is"the regulation of ideology and the evolution of the mundane character in literature".In this chapter, the dissertation discusses the integral appearance and the quality of each different period during the year of 1942-1965. The first part of this chapter discusses the question that how the era conditions leads,regulates or punishes the writers' action. In the second part of this chapter, based on the three research object: the historical period of 1942-1949,1949-1958 and 1958-1965,through the study of the literature policy,the writers'psychology,the political conflicts and the quality of the works, the paper analyses how"the mundane elements"change in literatures of this whole period.The title of Chapter II is"the humanity and the quality of class". In this chapter, through the concrete reading of the literature works, the paper discusses the regulation,reaction and the compromise interactively between the humanity and the quality of class ---the humanity concerned as"the quality of mundane world", at the same time,"the quality of the class"concerned as"the character of revolution". By analyzing the related documents, the paper discriminates and presents the deep relationship between"the humanity"and"the quality of he class". In the end, this chapter analyzes how the humanity conciliates,grows,realizes itself when it is regulated by"the quality of the class".The title of the chapter III is"the family,the amativeness and the revolutionary discourse". In this chapter, the dissertation reviews the position,appearance,and the quality of the family and t amativeness discourse in the revolution fields, by analyzing the mode of amativeness and family of the hero and the common in the revolution works. In this way, the paper presents the reaction between the revolution's discourse and the family's discourse: on one hand, revolution impacts family; on the other hand, family rebuilds the relationship mode between the female and the male with the help of the revolutions.The title of the chapter IV is"the social fashion and the revolutionary discourse". In this chapter, based on the concrete reading of works, through the two aspects—the custom and the ethic logic. the paper defines how the revolution takes part in the common's living building on the ceremony action, and how the revolution is evolved into the social fashion,the mundane gospel and the routine ethic, under the revolution ceremony. In red novels ,the writers generally build the logic relationship between the consanguineous ethic and the class ethic by three means-------inoculating,overthrowing and simulating. Revolutionary ceremony and social fashion react and regulate mutually. In a whole, the authors self-consciously inlay the lithe custom description in the grand theme generally.The title of the chapter V is"the open private scene and the continuous public scene". In this chapter, the paper presents some familiar scenes of revolution routine living---the headquarters in battlefield,the council house for combat in the past clan house,and the county or district government, such public scenes which mean new system of government. The essential character and the integral trend of the Chinese literature of the year 1942-1965 is that, the private scenes reduce and vanish gradually. In red novels, authors often use three methods to transform the conflict of space----the conflict between the emotion and the reason; the conflict between the country and the city; the conflict between the worker and the intellectual. Then the dissertation analyzes the results of all these three conflicts: the common routine living is generalized, which is a final way used by authors to build the integral ideology by transforming the scenes.The title of the conclusion part is"the three elements that affects the quality of the mundane living in literature-----the receivers,the authors,and the era surroundings."With the view of connecting the receivers and the authors , the paper expounds the two groups that stay at each port of the art works, under the discourse conditions of the era which is regulated by ideology. By relating the art critiques and art theories written by Wangguowei,Fulei and the other critics, the paper explains the reason,the status and the disadvantage of the quality of the mundane living in the literature. At last, the dissertation presents the integral character and art disadvantage of literature works of during the year of 1942-1965:that is"the character of the tragedy which conflict does not grow from the external world"has disappeared in the mundane living of literature description of this period.