The History And Theory Of Six Dynasties’ Object-chanting Poems

This dissertation focuses on the Six Dynasties’Object-chanting Poems as research object. Its purpose is to try to draw the outline of the Literary thought, and based on the research results from describe the evolution of Object-chanting Poems in the Six Dynasties. The paper also probes into the interrelationship with the Literature thought of the poets in the Six Dynasties and their historic environment, areal variation, identity discrepancy and so on.The ideological evolution of chanting verse in Six Dynasties would be vital research point. It helps to throw into relief the essence of poetry before the Tang Dynasty. What is the essence of Object-chanting Poems? What is the situation when poets have written the Object-chanting Poems? And what is the literature notion of the Object-chanting Poets? Leading to the study of these problems, we should to reveal the Six Dynasties’Object-chanting Poems’Six Dynasties’Object-chanting Poems Specific content is as follows:In the first chapter, based on the facts and previous researches of the Six Dynasties’object-chanting Poems, we will improve and make perfect on the theoretical expressions and definitions of the Six Dynasties’Object-chanting Poems. In the book "The Lasting Generation Chanting Verse Collection", Yu Yan said that "naming after one object" means the type of "one object". We should pay more attention to the concepts in terms of the contents. The poems described the objective which belonged to the Object-chanting Poems.In the second chapter, the author studies the development of the views about Object-chanting Poems’essence in the Six Dynasties. The poets’notion of the essence about Object-chanting Poems undergo a process from express feelings to look for their humanity.In the third chapter, the author explores the circumstances of the poets when they have written the Object-chanting Poems. Their notions about the Object-chanting Poems can not form without cultural exchange between poets from different literature groups, regions and status.In the fourth chapter, the author analyses the poets’notions about the linguistic form of Object-chanting poems from tonal pattern, antithesis, allusion, to ornate diction. This reveals their literary orientations of the pursuit of truth and beauty.In the fifth chapter, the researcher explores the views of image of the Object-chanting Poets. They included the Object-chanting poets’ view of time and space, the relationships between central and other images in Object-chanting poems, between the relationship of images and poets. The paper finds out that the center image and other images have three kinds of relationship. What’s more, the poets’ living environment and cultural atmosphere have an effect on their images of Object-chanting in poems.In the Epilogue, firstly, the views of Object-chanting Poems’ essence and image in the Six Dynasties play the role of the beginning point for studying Object-chanting Poems. Secondly, the research comes to analysis its far-reaching influence on the object-chanting Poems in Tang Dynasty. Finally, the author hopes to upgrade its position in the history of Chinese literature.