Reality Logic: The Study Of Contemporary Chinese Watercolor Painting

The contemporary Chinese watercolor painting arose in the late 1970 s.From this period after China opened a new social and cultural landscape. Inside was born in the contemporary Chinese watercolor painting, from 1978 in the watercolor exhibition organized can detect: its connection with a traditional, although globalization of art at that time, also as far as possible in the realistic techniques, aesthetic thinking retains the past in the form of the Chinese watercolor aesthetic characteristics. This trait in subsequent development, gradually become into an artist in the exercise of language form, and to develop a kind of "the combination of water and color" interesting form. Watercolour artist with the change of the social life and the natural scenery of static subject combining produce is suitable for the graphical display and easy to be accepted in the world. "Collectivization" in the form of creation, made the watercolor artists get an effective and stable expression. At the same time, the watercolor artists will also be this kind of expression and the interest of the Chinese traditional aesthetic binding, artistic conception watercolor arises at the historic moment. Watercolor sinicization or nationality further widened the performance of the contemporary Chinese watercolor borders, some scholars call it "orientalism watercolor".Realistic watercolor and Chinese watercolor become two broad expression of contemporary Chinese watercolor painting, watercolor artists can through the creation of the mainstream, was spread into the exhibition, to obtain the identity. Identity is, according to external organization, association and organization, association, inner aesthetic confirmation. Continuous exhibition takes a lot of watercolor artists support, college is the most important place cultivating artists.College of art education contents, means and traditional realistic techniques, the form of sketch visual training, aesthetic philosophy has a close relationship.Artists from the start to accept "transparent, waterbased, realism" form of language, and constantly strengthened in the training of the school rules. Until the artist into broad social reality, will use the formal language to create suitable for political themes, cultural tendency. School of artists become the product of school order, order affects the contemporary Chinese watercolor painting tradition.In this continuously inherit the traditional internal, explore the pioneer.Partof watercolour artist or explore watercolor media contemporary cognitive, or pay attention to the survival of the society, or ask the existence of ego, continually examine watercolor associated with their own, is the contemporary Chinese watercolor painting experiment of practitioners. The contemporary Chinese watercolor painting is on the way to the conservative and reform the marching slowly.This paper in the contemporary Chinese watercolor painting is not in the long evolution, using the methods of science of art history, image analysis of the contemporary Chinese watercolor painting, in a broad cultural framework, grasp the watercolor art, watercolor art restore to its original cultural context of society. Through genetic approach in the context of the problem is to look at contemporary Chinese watercolor painting, and try to give you a definite reply:contemporary Chinese watercolor painting is the evolution of the logic of "reality". The logic of "reality" is not only refers to the artistic creation of artists choose method, also contains the artist in the real social, political, economic and cultural modality to blending relations between mainstream creation way and the exploratory, choose suitable for their own creative direction, so as to construct their own history.This article is a research on the issue of the contemporary Chinese watercolor painting as a whole, in a relatively open research train of thought for the analysis of the development of logic, in order to correct people for a long time for the Chinese watercolor especially contemporary Chinese watercolor painting stereotypes. Contemporary Chinese watercolor painting is the art of Chinese modern art history phenomenon, it also has its own problems, but not only with "small type", "lack of attitude" prevarication. The growth of its embedded in art history, has its rationality of these tasks. In this paper, face to face with the problems existing in the contemporary Chinese watercolor painting, and hope that through the shallow perfect contemporary Chinese watercolor art criticism, expand and activate our new cognitive perspective of contemporary Chinese watercolor painting works, draw the outline of the social and cultural landscape of hidden in the works of art. Explore contemporary Chinese watercolor historiographical new ideas, to provide a reasonable mode of narrative, for the contemporary Chinese watercolor art in their own opportunities.