Multiple Spatial Expression Of The Soundscape Of Urban Tibetan

In the domestic ethnic music, the current study focused on Tibetan music more study of traditional music and cultural life of their home region,however, there are few concerns about the existence and development of Tibetan music in contemporary cities.In this paper,the city of Chengdu,which is a typical city in the mainland of China,is used as a field investigation in the field to ubiquitous in every corner of the city among the Tibetan religious daily, live entertainment, professional music arts and public dissemination cultural scene space formed various music activities(Sounds-capes) as the research object.From the perspective of insider and outsider,self and spectator of ethnomusicology,conducting in the context of the choice of site investigation and microscopic description through the vast and rich of the sound landscape of Tibetan in Chengdu, showing Tibetan music which has a long history and cultural heritage of the new developments in the mainland cities in this twenty-first Century, and the formation of large scale of Tibetan sound landscape pattern and colorful cultural presentation.Analyzes the evolution and development of the Tibetan traditional music in the city, as well as the formation of new types and features of the Tibetan music. This article focuses on the dual core is in the form of notes and musical culture,through a number of specific case studies to explore how the urban culture to shape the Tibetan music? How the Tibetan music to act on the urban culture,how the music work on the mainland cities which is based on the Han nationality as the main body to identify with Tibetan, as well as the individual of different ethnic groups to construct their own ideal country by Tibetan music which represents the Tibetan culture. In this paper, we construct a classification model of Tibetan music culture in the city, trying to answer in a broader cultural scene in Chengdu which is the exchange center between the Tibetan and Chinese, how different Tibetan music become an important carrier to work between the Chinese and Tibetan to produce a variety of positive interaction of each other for a long time base. In this paper,, the author makes a study of the urban Tibetan music in four spaces.This thesis is divided into six chapters:Chapter One Sino-Tibetan relations in the time-space coordinates Chengdu In this chapter,Chengdu will be placed on the center of the Sino-Tibetan relations,from the horizontal coordinate of the geographical space and the ordinate of the historic evolution two dimensions, described the value and role of Chengdu in Sino-Tibetan relations,as well as the typical significance of Chengdu as the study of Tibetan music.Chapter Two Religious belief space In this chapter,it describes and researches for the chanting music which appearing for the Tibetan Buddhist activities in Chengdu, to analyze the characteristics of its musical form, and to discuss the present situation and significance of the development of Tibetan Buddhism in the mainland of China.Chapter Three Commercial performance space In this chapter, we choose the voice and sound landscape of several representative Tibetan commercial performances to describe,analyze and interpret in Chengdu.Chapter Four Art appreciation space Two cases are selected in this chapter- Ni Ma band who pursues the world music style and Tibetan theme works from Tibetan composer Mr.Chang Ying Zhong who won the Golden bell awards, an attempt to explore the characteristics of Tibetan music in the pursuit of Art, and how the Tibetan music is constructed by musicians to express themselves.Chapter Five Public communication space This chapter is based on the city square Guo Zhuang,broadcast,TV,audio production,media and so on,Tibetan music activities related to public communication as a research object, to discuss the mechanism and significance of social maintenance.Chapter Six The miscibility and differential expression in multi-variable space This chapter discusses the above four space with transverse dimensions, which including the matter,human,voice and the relationships between each of them,to build the city of Tibetan music with Buddhist music as the core,from traditional to modern radiated theory model.