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A Comment On The Production System Of The New History Play(1942-1978)

Posted on:2014-07-06Degree:DoctorType:Dissertation
Country:ChinaCandidate:Y Q HuangFull Text:PDF
GTID:1265330425459176Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
When the Chinese literature transformed from the classic to modem stage, the biggest change was the establishment of a ideological production system. The effective implementation in macro level must depneded on practise of specific literary form. The new history play between1942and1978, as a important litareture form with the national imagination in the20th century, it gradually formed a specific production system and discourse specification in the history field of the ideology.At the same time, as a kind practice of micro system,it reflected a specific literary formation and implementation of the system, and to a certain extent, affected the adjustment and transform of the literary system. Therefore,The research on production system can not only provide us the specific perspective of contemporary literary system. It also is an effective path of entering the history and literary field to investigate the competitive of the external culture, and the restrict or interaction of various factors inside of literature.Based on the new history play from1942to1978, this dissertation deliberately investigates how the integration of the literature system weaves the particular ideology into the history play with a rich folk characteristics,and gradually establishes the management, creation and evaluation system of the history play.Through the history play in history reconstruction and the new conception of reshaping history, the ruling party implemented the cultural leadership,which was a construction process from the system to the creation,even the knowledge.So it is important to clear how the macro literature system effects the micro literature practice,because it can enrich the research results of the contemporary literary production system from one side.The dissertation consists of four chapters besides the introduction and conclusion. The details are as follows:1. Introduction:In this part,the author generally combes the opera reform in China in the20th century and the change of the national imagination,and reveals the phase characteristic through the drama revolution of The May4th,the left-wing drama movement and the drama revolution by the Communist Party,and combined with the purpose of this study, the current research results of the literatue system and the historical play are combed. Also the significance of the historical drama production system are analyzed.2. Chapter1:Through the the method of crisscross,it combes the history background and development of production system of new history play,and assesses the identity transfer of the group consciousness in modern nation-state construction. The production of new historical play benefited directly or indirectly from the products of the traditional history play, the May4th history play and the western drama. So it is helpful to reveal the richness and the necessity of construction of the new history play production system when it is put into the historical context of development, to ensure the realization of the integration production of the history play.3. Chapter2:This part focuses on the construction of the production management system in the new history play. By a certain organization’s management and supervision, policy formulation and implementation, and the operation of the specific festival awards,MAO zedong’s cultural imagination and historical materialism were specificated the created intent, process and methods,through the outside system model and the organization guarantee in history play.4. Chapter3:This part discusses the establishment of the creation model in the new history play. Among the literature network of the management system, according to the certain specifications of the order, and the use of collective wisdom, the system influenced the generator to make the historical texts which conform to the requirements of the ideology,and it specificated the directors,actors,readers and audiences to accept the order in the new history play to guarantee creation and transmission under the ideological control.5. Chapter4:This chapter analyses the establishment of critic paradigm in history play under the control of the authority. The literature controversy and criticism helped the establishiment of the meaning and order in the new history play which can monitor the writers to create within the framework of the ideology, especially when the cultural criticisms and the debate were alienated to the tool of the power struggle, it restricted the goal of the integration in historical play. So,the criticism paradigm of the history play is a unique perspective to understand the production system of the new history play.6. Conclusion:Based on the previous discussion, the author reflects the role of the new history play in the production system in the process of modernity of Chinese literature, combes the development of the history play in the new period, and discusses the new orination and problems, so as to provide some thinkings for its development.
Keywords/Search Tags:New history play, Imagination of the nation-state, Production system, Managementsystem, Writing pattern, Critic paradigm
PDF Full Text Request
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