Management Research Of Chinese Art Resources In Japanese National Museum

As world economic integration is becoming increasingly fierce today,strength of cultural soft power has become the key of mutual competitions among countries while local operation of foreign art resources will carve out a creative path for national cultural development in a new period and will unleash more possibilities for booming regional cultures.For various historical reasons,at present Japanese National Museums have a large collection of Chinese art resources which have enriched the local cultural ecology while blooming the charm of the Chinese civilization overseas after years’ of effective operation from Japanese government and museums for many years.Kyoto National Museum received numerous high-quality Chinese modern paintings via donations from private collectors having deep ties with China,such as Riichi Ueno,Kun Tomioka,Naga Kao,Shunyama Morioka and Yakichiro Suma.This article discusses the attitude of Tokyo National Museum towards Chinese art resources and the operation mechanism behind it,by analyzing collection processes of Modern Chinese paintings in Tokyo National Museum,semi-public way of classified storage,cooperative repairs by internal team and external experts,operation of cultural property protection funds,cultivation of special research talents and development of collection related activities(exhibition,publishing,education and discussion etc),focusing on concrete management measures of specific collections;and thereby it is derived that the current Tokyo National Museum demonstrates future perspectives and global strategies towards foreign art resources management under the direction and influence of large-scale special exhibition system,independent administrative legal personalization reforms,overseas artwork introduction methods and cultural and artistic governance of a country.By parallel comparison with European and American national museums,it is generalized that inevitable trend of public cultural undertakings is from administrative management to capital management,the building of the museum as platform of international information center,and the strategic values of local operation in foreign art resources in aspects of protecting world cultural heritage,building global cultural industry chain and establishing national culture brands.