Research On "Cross-cultural" Phenomenon Of Brook Peter’s Directing Art

When it comes to "cross-cultural",it is a process of transformation and combination from one culture to another.This aesthetic process is the development process of human culture to another culture.Cross-cultural is the process of cultural creation,and the new cultural form is the result of cross-cultural creation,The third culture is the ideal form of intercultural creation.Starting from the cross-cultural"phenomenon" in Peter Brook’s Directing Art,this paper studies the "cross-cultural”creation phenomenon and its significance in his directing art.These phenomena are closely related to his personal growth and "cross-cultural" style in his personality.He was looking for a language that would allow people from different cultures to communicate equally.From the cultural narrative of Orghast,a new language is created by combining various ancient languages with modern English.From the African The Ik,he discovered the dramatic value of the forgotten indigenous culture,questioned the truth of things revealed by anthropology,and revealed the dramatic identity of the truth of human culture.He discovered the modern significance and global value of African ancient poetry from The Conference of Birds.His Mahabharata not only gathers all his cross-cultural methods and contents,forms a new language,a new narrative structure,but also creates a new theatre space.These elements are combined to form a new style of drama.In The Man Who,he argues that neuropsychology alone cannot solve the problems of these neurotics.This work is not only a turning point of his late directing art in cross-cultural creation,but also gives a new dimension to the field of drama creation.In the course of cross-cultural aesthetics,Brook has crossed languages,disciplines,contexts,races and geographic spaces to form a new dramatic language,a new narrative structure,a new cultural field and a new theater space,thus forming a new dramatic style.This is created by Brook and belongs to the unique cross-cultural value of drama.He expanded new cultural drama areas,triggered new cultural phenomena,and created more possibilities for drama;He also reveals the stubbornness and characteristics inherent in every culture,and only by making courageous choices can he creatively integrate cultures.This study provides possible methods and contents for directors to carry out cross-cultural practice at home and abroad.Hope to offer reference for domestic and foreign drama creator;At the same time,it provides some theoretical basis for future research on Brook.