A Study On Gao Panlong’s Literature

Gaopanlong is an agent,politician and writer of Ming Dynasty,and has three identities as a scholar,a party and a literati.As an important figure in the transition period of the academic development in the late Ming Dynasty,his life respected Cheng Zhu Li Xue,and made great influence on the academic circles of late Ming Dynasty and the ideological history of Ming and Qing Dynasties.At the same time,gaopanlong embraces the ideal of saving the world in the time of Kuang,deeply participates in the politics of late Ming Dynasty,and finally falls into the party disaster and dies of self sinking.The light of gaopanlong in literature has always been covered by his achievements in science and politics,which leads to the lack of achievements in the academic field on the study of gaopanlong literature.The literature works of gaopanlong are large in quantity,rich in genre and have achieved remarkable achievements.Moreover,gaopanlong’s literary creation has a close relationship with the identity of the scholar and the party,so it has great research value.The first chapter of this paper studies the life of gaopanlong family.In recent years,the academic circles have studied the philosophy of gaopan dragon in terms of their family life,but this paper finds that there is still a large research space.The formation of the character and thought of the dragon is greatly influenced by the family.Grandfather Gao Cai is a moral model that Gao Panlong admired in his life.Gaopanlong followed his grandfather’s honest and honest style,his upright character and his solitary and proud manner.Especially,the life habits of high-quality materials are simple,not near the sound and color,and the life habits of monks and Taoism are closely related to the calm nature of gaopan long,the life-long behavior of not close to two colors and the thought of advocating Confucianism and anti Buddha.But high-quality character is bright,words and deeds are bold,while high climbing dragon is steep and tidy,and his behavior is restrained,which is not of the same kind.By studying the epitaph of wangshizhen for the heifu University of gaopan long,the author finds that the university is of high integrity and deference.Gaopanlong was raised by his parents since he was a child,and his character should be greatly influenced by the University.The formation of the mysticism thought that Gao Panlong was a scholar of later generations was greatly related to the belief value of his heimother Mrs Zhu.The life of gaopanlong takes time as the main line,and makes a study on four aspects: the academic commitment,the early traveling,the lecture activity and the establishment of the grand festival of the dynasty.The research focuses on the formation of the Neo Confucianism thought and the participation of political activities,which paves the way for the next literature research.The second chapter discusses the literature thought and its origin of Neo Confucianism.Gao Panlong,like other Ming Dynasty agents,disliked talking about poetry and prose,but he could still come up with clear literary thoughts from his numerous and complicated works.The literature thought of gaopanlong is divided into three aspects: the view of literature and Taoism,the view of poetry and writing and the view of literary criticism.The discussion of the relationship between literature and Taoism is the general outline of gaopanlong’s literary thought,which is divided into two aspects: the end of the Dao and the integration of literature and Taoism.The former emphasizes that Tao is the total value of dominating literary thought and literary creation,and that seeing Tao is the purpose of all literary activities.Although the latter does not deny the fundamental position of Tao,it fully affirms the value of literature under the guidance of Taoism.Gaopanlong believes that the world is the chief of the article,and often uses the poor theory and the self-cultivation method to teach others how to write,even use the way of the article to guide others to study,which reflects the more open literary view of gaopanlong.The creation of gaopanlong’s poetry and prose can be divided into three aspects: the poem and prose dispatch emotion and temperament in the positive,unintentional and natural nature,poor work and the difficulty through.The former is the creation of gaopanlong’s poetry and literature on each aspect,and the latter is the origin of his literary thought.The criticism of gaopanlong literature is divided into two parts,namely,the moral thesis and the theory of Ming.Gaopanlong’s criticism of the works of writers is not only from the moral quality,but also the academic literacy of the writers.This criticism is closely related to the theory of human ethics and academic based philosophy.The third chapter studies the poems of gaopanlong.Gaopanlong is one of the most representative poets of Donglin school.Not named for poetry,but with a talent.This chapter first discusses the background of gaopanlong poetry creation from the two aspects of region and tradition.From the perspective of region,the late Ming Dynasty Jiangnan poetry schools are diverse,and the contention is fierce,and romantic poetry creation has become the mainstream.Although the poets of Donglin school also show different styles in their poems creation,they basically adhere to the classical poetics tradition.From the traditional point of view,the poetry creation of the poets of the Ming Dynasty has formed a relatively stable poetics tradition.This tradition can be divided into four parts: the elegant tradition,the effective pottery tradition,the chongdu tradition and the internal tradition of the poets of song and Ming Dynasties.In addition to the complex performance of chongdu tradition,other poetic traditions are consistent in the creation and inheritance of the poets of the Ming Dynasty.In the late Ming Dynasty,most other poets in Jiangnan and the poets of sexual theory highly praised pottery poetry,which formed the style of Wu local people admiring pottery and effective pottery.The three factors that make the style of effective pottery in Wuzhong are the interest of life,the style of poetics and the geographical environment.Around the dragon,a literary group with pottery poetry as its ancestor was formed.The situation of their mutual appreciation of taozong constituted a miniature of the style of pottery in the late Ming Dynasty and the middle of Wu Dynasty.This paper discusses the effective pottery poetry of gaopanlong from three aspects: the acceptance of Tao Yuanming’s thought,the imitation of the words and the attack on the image of the pottery poetry.The discussion of the poems of gaopanlong Neo Confucianism starts from two aspects: the "view of things" and "the poems of theory and theory" which are specially for the Tao ".The paper also elaborates the theory thoughts behind the two kinds of poems,and focuses on the role of gaopanlong poetry on Neo Confucianism.The concise language,harmonious rhythm and ups and downs of the poem make the hard and obscure philosophy have music beauty and artistic beauty in the process of expression and reproduction.The strict logic and speculative nature of Neo Confucianism are in line with the system and sound law of poetry refinement.This chapter also focuses on the analysis of the reasons why the seven laws are the main genre of poetry of gaopanlong.Finally,this chapter discusses other types of poems and artistic characteristics of gaopanlong,such as chronicle poetry,gift poem,birthday poem,Elegy poem,etc.These poems show different styles from those of quasi pottery poetry and Neo Confucianism poetry.Besides the birthday poems,their emotions are less bound by the Neo Confucianism thought.Although the academic circles pay little attention to it,they have unique literary value.Chapter four studies the article of gaopanlong.The main characteristics of the late Ming Dynasty were the prosperity of the small pieces,short length and swaying of the wind and spirit.The scenery clear sound,sacrifice and music in the songs of the statue praise in gaopan dragon miscellaneous records and travel notes show the aesthetic interest of the essays in the late Ming Dynasty.Meanwhile,the Neo Confucianism thought of gaopan is highly consistent with the autocratic system of ancient Chinese monarchy and Confucian traditional ethics.The literary creation under the influence of Neo Confucianism is still dominated by traditional ancient Chinese literature with both literary quality,high gas and high ancient style and pure sense and principle.Shouwen and tomb writing are the main body of their ancient writing.Gaopanlong has carried on the literature and academic transformation to Shou Wen.The creation of tomb writing by Gao Panlong,or integrating the unknown tomb owner’s handwriting into the grand historical background,or describing the human relationship with extremely trivial and meticulous writing,or trying to describe the life experience of small people in the era,provides readers with a special perspective of examining the style of late Ming Dynasty,the change of study style,family ethics and social system.The preface of gaopan dragon is full of images and is vast and delicate.However,the early stage of his work was very sparse and talked about,and the practical operation of the political proposition was not strong;In the late years,the sparse play is pragmatic and steady,showing the characteristics of different styles.The description features of gaopan dragon science are obvious: the quotations and notes embody the concise and concise way of speech and speech,the reasoning and the handout embody the rigorous and profound thinking spirit,and the deep and rich literary interest is embodied in my writing and praise.The fifth chapter discusses the influence of the party dispute in the late Ming Dynasty on the creation of gaopanlong literature.The two periods of gaopanlong’s official career coincided with the starting point and climax of the party struggle in the late Ming Dynasty.He always maintained a strong interest and great enthusiasm for politics.Because of the overall effect of the style of poetry,gaopanlong poetry is not affected by the party dispute.But the literary creation of the chronicle under the influence of the Wanli party dispute shows a violent and furious wind,while the paper of gaopanlong in the disaster of Tianqi party reveals the complex thoughts of helplessness,self blame,regret and despair.The literary creation of gaopanlong under the influence of politics deviates from the theory of "mellow,familiar and refined".Under the influence of Neo Confucianism,gaopanlong literature not only follows the classical and elegant literary tradition,but also has profound and rich academic connotation,full of speculative and logical nature.In his literary practice,the expressive function of style has been further enriched and expanded.But its pursuit of the temperament of Neo Confucianism and restraint of human feelings make gaopanlong literature generally lack the literary quality of true love.Moreover,the repeated expression of the knowledge of Neo Confucianism and ethics makes its literary style from profound to shallow,from elegance to vulgarity,full of strong preaching color.The students of gaopan Longwen recorded the formation process of their Neo Confucianism thoughts and provided full artistic rhetoric for the expression of academic views.The literature of gaopanlong is closely related to Neo Confucianism and has an influence on each other.However,due to the influence of politics,secular and true feelings,its literature and Neo Confucianism also reflect the deviation,which provides the opportunity for later scholars to restore the real literary image of gaopanlong.Gaopanlong literature is the representative of Donglin literature,which is similar to Tang and Song school in literary proposition,but different from "the latter seven sons".The political ideal and struggle spirit of the scholars in Donglin were inherited by the compound society and several societies in an all-round way,but they did not leave rich theoretical heritage for them in literature.Therefore,they inherited the classical and elegant literary tradition of Donglin literature as a whole,but they also accepted the ancient families in Ming Dynasty in specific literary propositions,which set off the last climax of the literature of Ming Dynasty.