Research On The Award-winning Films In Mainland China Since Reform And Opening-Up(1977-2019)

1977-2019,as a whole,is in a new period of China’s reform and opening up.This paper studies the films that Chinese mainland has won various major awards at home and abroad in the historical stage,and is actually a relatively concentrated and relatively comprehensive Chinese mainland film in the historical development stage.Through the comprehensive development of the 40 years of award-winning films since China’s reform and opening up and the comprehensive research of the influence of the intergenerational directors and their representatives,the paper hopes to conduct a relatively intensive and in-depth analysis of the development characteristics and innovations of the Chinese mainland’s films in the historical development stage,and then get the corresponding thinking results.In addition to the introduction and the rest of the paper,the main part of the paper consists of six chapters.Besides famous literary work and the rest of the thesis,the main body of the thesis consists of six chapters.The first chapter mainly analyzes the exploration and innovation of the award-winning films at home and abroad in Chinese mainland films at the initial stage of the reform and opening up,such as directly reflecting on the cultural revolution in terms of ideological themes,returning to the traditional forms of opera and comedies in the form of expression,and paying more attention to the change of literary classics in the interactive relationship between film and literature.In addition,with the unique audio-visual language of the film,it achieves the transcendental expression of the original literature.The second chapter mainly analyzes the period when the three generations of film directors reached the peak of perfection in cooperation.The third generation directors have made different achievements in their own choice of creation.The fourth generation directors have been integrating the ecological consciousness,cultural reflection,feminism and Family Justice in the exploration and innovation,and created the western part of China by expressing their own nature.At the same time,the fifth generation directors also achieved the breakthrough of Chinese film aesthetics through artistic exaggeration and individual life publicity.The third chapter mainly analyzes the innovation and development of Chinese mainland films at the peak stage of foreign awards,such as the success of the fifth generation directors in the world’s top film festivals.The other fifth generations of directors made efforts to voice the voice of the rule of law in the country,to speak for the basic education workers,and to renown the martial arts films in the mainland.These films established their own aesthetic character by reappearing the great revolutionary historical moment and carrying forward the noble spirit of the people’s model.The fourth chapter mainly analyzes the situation of winning films in the new development stage of the Chinese mainland films,including sixth generations of directors who express their concern for ordinary life through individual writing.The "new year’s films" successfully joined the Chinese mainland’s"small and big" ranks and the fifth generation directors’ innovation in the meantime.The fifth chapter mainly analyzes the situation of Chinese mainland films achieving the most significant technological leap stage,such as the half turn of the fifth generation steering technology blockbuster,the relative sublimation of the sixth generation transformation and the continuous development and improvement of the main theme.The sixth chapter mainly analyzes the situation of winning films in the mainstream stage of Chinese mainland’s mainstream development,such as the resplendence of the mainstream of the revolutionary history,the early development of contemporary reality themes and other mainstream commercial blockbusters and commercial success.The last part of this paper mainly focuses on the reasons why Chinese mainland films have been declining in the new century,especially in recent years.At the same time,the problems existing in the development of Chinese mainland films are briefly analyzed and suggestions for solving the corresponding problems are proposed.The strategy also puts forward the vision of actively constructing the Chinese film school for the future development of Chinese mainland China’s films.