Artistic Research On Huanglong Opera

Huanglong Opera is named after Huanglong County in ancient times.It is a northeast local drama mainly popular in Fuyu and Nong’an County of Jilin Province.As a national intangible cultural heritage,Huanglong Opera has a unique aesthetic value,carrying an important historical and cultural significance.Due to the relative shortage of research materials and regional factors,the current research on Huanglong Opera is relatively weak,and the overall framework has not yet formed a systematic framework,showing a slight tendency of fragmentation.From the existing research results,the basic paradigm of Huanglong Opera research can be generally summarized as five types: basic literature mining and collation,stage performance art research,classic repertoire review,cultural reflection and development planning orientation.These existing studies have broadened the research field of Huanglong Opera from different aspects,enriched the research basis of Huanglong Opera,and promoted the theoretical deepening of Huanglong Opera at the theoretical level.However,there are also shortcomings such as lack of research system,vague positioning of academic history,and lack of methodology.In view of the advantages and disadvantages of the existing research results of Huanglong Opera,this paper is guided by the basic principles of Marxism,adhering to the principle of consistency between history and logic.The paper is based on the internal logic of the development and evolution of Huanglong Opera and is followed by the law of development of folk art.It takes methodological innovation as the guide,taking the combination of history and theory as the starting point.It also takes the feedback orientation of artistic practice as the path.It adopts the research methods of mutual penetration of internal research and external research,mutual complementation of influence research and comparative research,and mutual support of cultural research and literary criticism to systematically summarize the aesthetic artistic value of Huanglong Opera and scientifically determine the significance of Huanglong Opera art history.The paper completely summarizes the practical experience of Huanglong Opera stage performance,and strategically plans the future development direction of Huanglong Opera.It is expected to achieve continuous deepening in the four aspects of literature review,art history positioning,aesthetic value examination and future development prospects,and solidly promote the study of Huanglong Opera.As a typical representative of local opera,Huanglong Opera has distinct regional characteristics.On one hand,it has a deep imprint of the northern ethnic fishing and hunting culture,with a strong and strong spiritual temperament.On the other hand,the performance singing of Huanglong Opera has distinct characteristics of northeast dialect,which is not only simple and vivid,but also fully shows the blunt and humorous character of northeast people.In the sense of art pedigree,the direct source of Huanglong Opera is unique shadow art of China.From the Song Dynasty to the end of the Qing Dynasty,the shadow play introduced into the Northeast was integrated with the local folk tunes,tunes and incense in Guandong for a long time,and gradually formed its own unique artistic style,forming the initial prototype of Huanglong Opera.In the early years of the Republic of China,the appearance of Yingdiao Opera(which will be transformed from behind-the-scenes operation of shadow puppetry into live actors performing directly on stage)marked the perfection and final establishment of Huanglong Opera as a new form of local performing arts.After the founding of the PRC,with the strong support of the Party and the government as well as the joint efforts of the older generation of artists,local folk art ushered in the spring of development.In 1958,Nong’an County reformed the popular shadow play in the local area and officially named it Huanglong Opera.Since then,Huanglong Opera entered a period of rapid development.Through the hard work of several generations of practitioners,Huanglong Opera has become one of the historical business cards of Nong’an,and its aesthetic artistic value has been widely recognized by all sectors of society.After entering the new period,Huanglong Opera continues to maintain a good momentum of development.The successful performance of classic plays such as Soul with Huanglong County,Bell of the Desert and Sheng Ming Lou have a sensational effect in the domestic drama industry.However,with the advent of the era of commercialization,Huanglong Opera also bears the development challenges faced by all traditional operas,and continues a new development path under the impact of multiculturalism.The ideological theme of Huanglong Opera mainly covers the desire for ethnic unity,the spirit of patriotism,the deep reflection of cultural illness and the new construction and aesthetic presentation of tragedy.The historical theme plays of Huanglong Opera expose the inherent violence and greed of men showing a strong criticism.The reflection on women is organically carried out in the two-way degree of positive praise and rational reflection.It not only gives women the necessary positive recognition of tenderness at the objective level,but also makes an in-depth critical reflection on its potential cultural chronic illness from the perspective of cultural reflection,creatively creating a two-way reflection dimension,and on this basis,exploring all possible ways of redemption.The ardent call for human temperature.The realistic dramas of Huanglong Opera pay attention to the transmission of universal human nature in the process of fictional plot,and construct the authenticity of drama from the dimension of human common spiritual pursuit and aesthetic ideal.Huanglong Opera is good at realizing active intervention in reality in a panoramic documentary way,while taking into account the future in an ideal way.The basic narrative way of Huanglong Opera is to reflect the inner voice of the public on the language level in a straightforward way.The narrative time of Huanglong Opera has the characteristics of one-way and uninterrupted.The stage performance pays attention to the predictive function and psychological guidance of the opening characters,newspapers and tunes.There is a universal binary opposition in the internal structure of Huanglong Opera.This binary opposition is immediately a true description of objective reality and a conscious presentation of value orientation.Huanglong Opera attaches great importance to the reasonable construction of multiple dialectics in the setting of internal structure,the unity of reality and fiction,the contradiction between sensibility and rationality,and the two-way interaction between imagination and reality.Huanglong Opera pays special attention to the multidimensionality of drama effect in the process of plot narration.It not only embeds infinite aesthetic implication in the process of time clue promotion,sets up complex rich structure in the process of logical clue development,but also stimulates the audience’s emotional resonance to the greatest extent by means of plot sudden turn in the process of emotional clue narration.The role system of Huanglong Opera basically adheres to the role division of Chinese classical traditional drama.The body and stunt used in Huanglong Opera stage art performance can be divided into common body,stunt and unique body.Huanglong Opera singing music belongs to the plate cavity type,which can be divided into two kinds of south cavity and north cavity.Among them,the southern cavity absorbs more components of Liaoning and Jidong tone;the north cavity absorbs more components of Jilin and Heilongjiang shadow tones.The stage art design style of Huanglong Opera is characterized by elegance,meaningfulness,beauty,elegance and exquisiteness.After entering the 21 st century,the stage design of Huanglong Opera has undergone major changes.It not only integrates the characteristics of modern stage performance,but also pays attention to the contrast of modern technical means.The clothing also integrates the advantages of other stage art,and gradually explores its own unique style.Huanglong Opera effectively realizes the multidimensional creation of aesthetic value through the classic creation of artistic form and the perfect construction of aesthetic ideal.As a folk art included in the national intangible cultural heritage list,Huanglong Opera is not only a vivid carrier of traditional cultural concepts,but also an important support for the recasting of modern spirit.It plays an irreplaceable role in establishing cultural confidence and stimulating ethnic cultural identity.Under the unremitting efforts of Huanglong Opera writers and performing artists,Huanglong Opera has effectively responded to the crisis of extinction under the strong impact of modernity,continued to maintain strong artistic vitality,effectively realized the modern recasting of traditional cultural concepts,and defended China’s cultural security with a solid foundation.It is reasonable to believe that with the joint efforts of the whole society,Huanglong Opera will surely achieve greater artistic achievements in the future,release strong vitality and radiate new vitality.This paper is divided into six parts.Chapter 1 the introduction demonstrates the rationality of the research path by summarizing and judging the previous research paradigm of Huanglong Opera,and establishes the academic problems and expected results to be solved in this study on the basis of feasibility analysis.Chapter 2 introduces the historical origin and development of Huanglong Opera,analyzes the unique regional and ethnic characteristics of Huanglong Opera from two dimensions: the historical background of Huanglong Opera and the cultural and artistic soil,which compares the development of Huanglong Opera according to the historical logic,reveals the artistic presentation of Huanglong Opera in different times,summarizes its inner logic law in the depth of history,and systematically reveals on this basis that Huanglong Opera as a The second chapter systematically analyzes the purpose of Huanglong Opera.Chapter 3 systematically analyzes the basic themes and ideological significance of Huanglong Opera,analyzing the aesthetic interest and aesthetic ideal of Huanglong Opera from the aspects of ethnic unity and friendship,patriotism,criticism of feudal male power and reflection of female consciousness,new construction of tragedy and aesthetic performance.Chapter 4 identifies the artistic and aesthetic performance of Huanglong Opera in literature.In this chapter,it reveals the aesthetic value of Huanglong Opera as a cultural phenomenon from two dimensions of narrative style and narrative structure,and deepens the aesthetic value of Huanglong Opera in the sense of artistic acceptance.Chapter 5 introduces the aesthetic characteristics of Huanglong Opera from the dimension of stage performance art,and systematically introduces the artistic presentation of Huanglong Opera from three aspects,namely,the division of lines,singing voice and stage design.It also analyzes the unique performance of Huanglong Opera in terms of aesthetic value generation.The conclusion summarizes the classical creation of Huanglong Opera art forms and the perfect construction of aesthetic ideals,once again demonstrates that Huanglong Opera establishes cultural confidence in the sense of multi-dimensional creation of aesthetic values.It plays an active role in stimulating ethnic cultural identity,and on this basis the paper confirms the endogenous power of future development of Huanglong Opera.