Tracing The Past To Understand The Presen

This paper takes the practice state that brush and ink should be ancient,and the realm should be new of teaching content of Wu Fuzhi as the breakthrough point,and analyzes the technical essence of the flower and bird painting ontology language construction of "tracing the past to know the new".The paper explores the common characteristics of the theme of "Four seasons flowers” from his inheriting literati excellent tradition to cultivate comprehensive talent concept and from a New Perspective on " Learning from the Ancients " and " Learning from Nature ",in order to achieve the purpose Wu Fuzhis research to complete the form " To a new artistic language to create prosperity.Discussing the guiding significance of art and teaching tracing back to the past basing on the contents of teaching manuscripts,historical documents,painting methods and so on.The author focuses on the technical analysis of the ontology language construction of "ancient brush and ink,new realm".The author cuts into every aspect of the works from the teaching practice and personalized art language.Wu Fuzhi literati aesthetics and the "four seasons flower" ink painting subject direction of features into the teaching practice,in the form of teaching practice and supplement each other,building up calligraphy show bone,antique condition with new artistic style.Thus,this paper discusses artistic language of Wu Fuzhi around the following aspects: Firstly,early term supplement and the formation of the heart of "liking ancient";Second,exploring its aesthetic connotation,artistic thoughts and pay attention to the practical significance of studying traditional themes in teaching;Third,exploring the relationship between "four seasons flower" subject matter programming evolution and method construction from "knowing the rules and exploring the truth" for thinking the essence of ancient art language by rhyme,sculpt,color and others‘of Wu Fuzhi;Forth,the author examines the modeling and construction forms of "desire to complete its form" and "bone method with brushwork",and then extends to the concrete practice of "new Qi-environment" from the theoretical perspective of "brushwork should be ancient";Fifth,this paper analyzes the theory and method of its personalized language composition,through the analysis of the technical index of ontology language,this paper explores the technical principles of the ontology language construction of the idea of "ancient brush and ink,new realm",and reveals the individual morphological characteristics of its art for reference,from a new perspective,from the outside to the inside and from the inside to the outside.