The Study Of Bartok's The Third Piano Concerto

Bartok Bela is one of the most famous folklorists, pianist, music educator, composer and Ethnomusicologists of Hungarian.As one of the western half of the 20th century's most distinguished composers, He made A combination of both Western composition techniques and Eastern European musical language, formed his own unique style. His work is mainly engaged in Instrumental Music Creation, not divorced from the reality of his creation.The Third Piano Concerto was Bartok's last work. This work is not the first Piano Concerto and Second Piano Concerto of exaggeration, distortion and shock the world, but full of deep kind of love, grace generous, very nice melody, sound soft, quiet clear, showing the vision of a better future, but Bartok used a distinctive style or musical language. The Third Piano Concerto in accordance with the solo concerto in the traditional form-based creation, from the fast - slow - fast three movements, of which the second movement and third movement is played without interruption. Bartok's last work as a The Third Piano Concerto and mature writing style, re-showing of his early works that the new Long's style of Ming and Qing Dynasties, the use and development of the Eastern European folk music rich material, while Without any prejudice to accommodate a variety of art styles, has drawn a variety of different schools of art means, and will be fused into a furnace. In this work, we can see a neat and tight Bach-style multi-line, you can see the type of dazzling instrumental skills Listeria can also see the creation of the 20th century techniques of modern music.The Third piano concerto was Bartok's last work, Creation in 1945.Because of the Bartok's death,this work did't completed. Bartok is extremely opposed to the Nazi regime, So he had to leave the country, together with his wife, went to the United States in 1940. For some reason, and the deterioration of health conditions, Bartok and his wife's life into a quandary. Bartok's music most of this period was commissioned to make. The Third Piano Concerto is a confession of Bartok's heart is the great musician of the last farewell. Perhaps because of the war to leave their country, but also by the pain of torture, perhaps because he is about to leave this world, the whole work are obviously affectionate. Bartok in a foreign country was still all the time thinking of their country, love for the Hungarian nation and the people's feelings, is the Bartok and source of inspiration.In this paper, Bartok's Third Piano Concerto as the object of study, divided into the following chapters to be discussed:The first chapter of Bartok's life and music presentation for the general style. Bartok's life through learning experiences and music for over 40 years of life explained, summarized and explored the works of Bartok's creative inspiration and the characteristics of different periods of musical style; In addition, also through the social and practical aspects of research, analysis of the The Third Piano Concerto creative background.The second chapter is on the The Third Piano Concerto creative analysis. Mainly from the musical form, harmony, melody, structure and other aspects of depth of analysis. First movement is Allegretto, Sonata Allegro is used in musical form, the theme is a Romanian folk music style of the melody, the main theme of the Department of variation of five complete. The second movement is Adagio religioso, in which the central slow movement of Bartok uses a unique "night music " style, and the solemn style of music in front of a stark contrast. The third movement is Allegro vivace, This movement uses the traditional practice of Concerto Rondo type written, lively music with a festive atmosphere. This movement reflects the Fugue Bartok superb writing style.The third chapter is about "Third Piano Concerto, "the second interpretation. Summarized the work on the melody melodies and different in texture, discusses their performance characteristics; Bartok has obvious characteristics of folk music melody and texture in the form Ruohe performance; Finally, the pedal should be used in the performance and the relationship between the band and piano are discussed.