The Modern And Traditional Fusion Tendency Of Zhai Yongming's Recent Poems

Zhai Yongming is a poet with special significance on the contemporary poetry, whose unique style of poet and rich content of poet has been extensive attention to poetry. Since poems "WOMAN" published in 1984, Zhai Yongming has been engaged in ongoing creation. Confessions of strong and sharp words, full of tension as female speech style began to appear in her 80's poems. In the late nineties, she was committed to the style transformation of poetry, and obtained an open and peaceful narrative style after a successful out from the confession. In her recent creations, Zhai Yongming committed to exploring the integration of tradition and modern times, which is different from the previous poetry style. There are more research on Zhai Yongming's creations in her first phase, focusing on her interpretation of feminine consciousness and the interpretation of female discourse. Research on recent works is poor. This article will study Zhai Yongming's poem from the 90's to present, as to explore the conversion of images, the change of rhetoric, the spirit dimension and the fusion of tradition and modern times, in order to reveal the consequence of Zhai's writing.This article is divided into three chapters, the first chapter will analyze the image changes of Zhai's recent poem. Compared with the image words in her previous writings, Zhai Yongming selected both modern and classic image in the late 90's, made juxtaposition and contrast between them, explained the modern spirit with classical allusions, brought classic image into modern experience and achieved a convergence and integration. Combination of the images began lichtung, broad, cool and bright,...to describe the new style and features of contemporary poetry. The second chapter will analyze Zhai's recent poetry from rhetoric. This article will summary and analyze the rhetoric features with semiotics and phenomenological method, such as convergence and integration of metonymy. On the use of inter-textuality, Zhai's poem began to change from focusing on western discourse and western allusions to re-writing the traditional Chinese story; On the use of color words, Zhai's poem revealed the unique content of modernity and classical culture with profuse color words. These rhetorical features on the characteristics confirmed the reorganization of the modern spirit and traditional resources, which is useful to the contemporary poetry writing. The third chapter will analyze the reason through the spirit of Zhai's recent poem. In a condition of social history culture, her unique female identity and female perspective and unique life experience enabled author to think and pay close attention to the fate of women. Whether ancient or modern people, women's life experiences and life trajectories are worthy of deeper contemplation, Zhai Yongming's poem are full of description of the lives of modern women, and she focused on exploring on the lives of ancient women, which are not significant in most male and female poet's writings. Meanwhile, there is reflection to modernity, irony and resistance to consumer culture, and attachment and locating to traditional culture.