| The Chinese Buddhism literatures,which on behalf of translate Buddhism Scriptures,such as Da Zang Jing etc,take a vital part in the extensive treasure house of historic literatures. They are the important researching data about the developing of Chinese language from Dong Han Dynasty to Song Dynasty,and make valuable concributions to the studying of characters,Yin Yun and Xun Gu in every dynasty of Chinese history.On the basis of succeeding predecessors' studying about Buddhism literatures,this thesis work for exploring and studying about the new materials of another phonetic notation materials in Da Zheng Zang,provide some valuable historic data for the studying of the middle ancient time's pronunciation and remedy the gaps in this realm. According to the investigation concerning Fo Zang Zi Mn Yin De,Zhong gou Cong Shu Zong Lit and Da Zhang Xin Xiu Da Zang Jing,four kinds of pronunciation and semantic data which are composed by Japanese monks,are not studied:Xin Yi Hua Yan Jing Y in Yi volume I ,Zhen Yuan Hua Yan Jing Yin Yi volume I ,Jing Tu San Bu Jing Yin Yi Ji volumeIV,Kong Que Jing Yin Yi volumeIII. All of these were composed in South Song Dynasty,which was in the crucial transitional period,in which the Chinese pronunciation system changed from the middle ancient time to the modern time. Therefore,thought researching these adtas,we can investigate some important phenomenon about the pronunciation evolving,tidy up the clear developing orderliness and law,concerning the pronunciation system transformation from the middle ancient time to the modern time .All of the research achievements in this field,possess vital value significance in the Chinese pronunciation history.Due to limitation of time and my limited level,Kong Quo Jing Yi,Xin Yi Hua Yan Jing Yin Yi,and Zhen Yuan Hua Yan Jing Yin Yi are selected in the light of Guang Yun. And I will analyze the different phenomenon of pronunciation system between the above three works and Guang Yun,and discuss them particularly from the point of view of pronunciation history.Yin Yi has reflect these phenomenon:In the respect of initial consonant:1.QingChun and Zhong Chun had not been separated. 2.She Tou had been included in She Shang 3. Voiced sound had turned into voiceless sound. 4. Jing,Zhang and Zhuang had been mixed. 5. Cong ,Xie,Chuan and Shan had been mixed. 6. Yun and Ying had been collaborated;7.Ri and Ni had been mixed. 8. Jian and Xi had been mixed.In the respect of rhyme:1.The internal system of Chong Yun had been mixed 2. The third class of Tong She Chi Yin had been merged into the first class;3. Quo She and Jia She had been collaborated. 4. The third class rhyme and the forth class rhyme had been collaborated. 5. Xie She had been merged into Zhi She. 6. Ceng She and Geng She had been collaborated. 7. The Kai kou rhyme of Fen yun and the He kouof it had been mixed. 8. The end of rhyme [m] [n] and [n] had been mixed. 9. The endof rhyme of Ru sheng had disappeared. 10. The voiced sound of Shanghad turned into Qu.Thought investigating the situation of separation and collaboration of the rhyme category in Yin Yi,I find that it has little difference with the Tong yu in Song Dynasty. Because of the restriction by the history characteristic of Japanese and the influence of difficulty which between the Chinese-Japanese translation,or the influence of Chinese and Wu pronunciation,there is ancient pronunciation obviously in the category of initial consonant. At last,the conclusion of this thesis is which system the work depends on is the Tong Yu,which had prevalented in Song Dynasty.
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