Comperative Research On 'Musicality' Of Chinese And Western Brush Arts

This thesis aimed at setting forth the comparison to the 'musicality' of the Chinese and the western brush arts and its reference values to the creation of the contemporary art artistic.Firstly, the thesis discussed the music culture and the relation of the painting. The Chinese music culture emphasized that the music is influenced by" ceremonial rites", the western music culture is then but aestheticism. If say that the Chinese painting art has a kind of line melody " spirit, the western music brush art can call to is in the painting of polyphony music". The Chinese music brush art pursues a kind of harmonious pleasant impression, the western music painting seek the musicality expression of the color and the metaphysics spirit state. The topic that press music painting divides the line, current princes and dukes in painting in Chinese music nobility rite culture, the scholar bachelor's degree keeps the topic of the music culture etc. elegance culture, also having the folks music cultural and religious music culture. The western music painting then is different from the form feels of to present the different feature according to the topic. The western music painting then has got with the modern art view of western the complex relation.The thesis makes use of the synesthesia and the semiotics esthetics theories, focus on the angle of analyzing the forming factors of the west music brush art language characteristic from China. It summarizes some view that the Chinese music brush art is influenced by a point of ceremonial rites civili/.c, the west lays emphasis the abstraction and the performance, common composing the views of the culture landscape of the music brush art.