The Musicality Of Gefei's "Jiangnan Trilogy"

The contemporary writer Ge Fei by virtue of the “Jiangnan Trilogy”won the ninth Mao Dun prize for literature.From this,the author has paid more attention to the author and his works.This paper tries to discuss with cross angle of art to his “Jiangnan Trilogy”as the object,trying to open close connection between music and novels.In this paper,the music is mainly from the “Jiangnan Trilogy” on the surface of the extension of the music,in the extension of the intermediary into life,and the deep interpretation of art.At the beginning of the thesis,the author first reviews the research on the relationship between literature and music at home and abroad,as well as the study of music.Secondly,to organize the domestic Gefei “Jiangnan Trilogy” research status,trend.It points out that the study of music is a beneficial attempt.First of all,this paper defines the concept of music in the thesis,and then describes the polyphonic music in the trilogy of jiangnan.Here,Bakhtin,Genette,and the polyphonic theory put forward by the author of the thesis are used in the theory of polyphony,which is proposed by,and.The first is in the works of “great dialogue” form the polyphonic features,based on the “The girl's face and the peach flowers” “Mountains and rivers dream” as an example to work according to their different characters on the same event-revolution,expressed different views and voices.The other characters and the characters of independent voice in a dialogue between the four main witness or language or in the language presented their views on the revolutionary formation of both the conflict and harmony of the polyphonic dialogue form.Among them,the counterpoint and variation formed by the sudden change of the emotional tone.And because of the contradiction between the individual characters and the formation of the “micro dialogue” polyphony,that is,the form of the complex of the dark debate,will be transformed into their own contradictions in the image of the two image of himself and his I formed.At last,because of the numerous text types in the three novels,the polyphonic.The second chapter is about the structure of the novel and the musical form of music.The development of the three novels and the sonata form in music.Are carried out in the context of the development of the representation and development.And the development of the narrative time in the novel is also in agreement with the temporal pattern of music.Then,from the repetition of the novel,the repetition of the destiny,and the repetition of the plot,the author interprets the works of the novel.Constant repetition of the rhythm of the rhythm,and rhythm is the work of musical performance.After the way of taking the pace of acceleration and deceleration,efforts to elaborate and lead to novel rhythm rhythmic depth that rhythm is how to fit with organic life deep,in order to illustrate the rhythm of music and showing the intersection of si.The third chapter is about the music.In this chapter,with the frequent occurrence of the images of flowers,rain,isolated island,dream,and the changes of their own,the paper adds the atmosphere of the novel to the poetic and aesthetic level.The feeling of space Chinese close contact with time,changes in the internal image of the rhythm of the rhythm of life led to a novel organic form,rhythm of life rhythm,the rhythm of the regular life space,life space and understanding that human feeling,the feeling is the mood itself.The space function of images can be generated eventually to "artistic conception,the sound of silence" in the form of existence is the ultimate form of music,aftertaste mood let the work arrived at Teana silent exit.