On Wang An Yi's Novel For Conversion Of Viewing Angel Of Narration And Jeneration Of In Implied Meaning

Viewing angle of narration refers to a writer's selection of literary expression. However, the meaning generated thereof represents spiritual concept of the writer. This thesis takes the viewing angle as a new starting point for further study into Wang Anyi's novels, and from the descriptive stand, it searches for thread of thought linking complicated viewing angle of narration and conversion of meaning in Wang Anyi's career of 20 years' literary creation; examines her professional process of literary creation, exhibits a writer's holding of subjective consciousness and pursuance for surpassing consciousness; and tries best to provide a fair evaluation on contributions made by Wang Anyi to both theory and practice of literary narration in China.Searching for complete thread of thought in Wang Anyi's literary creation of novels is mainly based on conversion between limited knowledge viewing angle and unlimited knowledge viewing angle. She changes from the self statement at the her initial limited knowledge viewing angle to cultural criticism at unlimited knowledge viewing angle, to nature of life at unlimited knowledge viewing angle, to rethinking of fate at multiple viewing angle, and then to a fable story of life at unlimited knowledge viewing angle, during which she has experienced a spiritual search for abstractive thinking from inner world of an individual person to the meaning of human life before returning to increasingly mature outlook on literary creation for worldly status about existence of human beings. Meaning for generation of viewing angle. Wang Anyi's search for novel writing technique enables the viewing angle of narration to become a "meaningful pattern", which participates direct generation of content meaning. Those hides behind or surpasses the form itself are really the fundamental changes of the writer's thinking pattern and concept of the novel. Viewing angle exists for meaning, from which we can understand the conversion of viewing angle in Wang Anyi's novels and its hidden reasons. The unique female theme, structure, plot, representation and language for female theme existing impressively in Wang Anyi's novels cover the voice of the writer and imply the consciousness of a subject behind the form of viewing angle of narration. She realizes her pursuance for materialization of literary creation in conversion of viewing angle, and expounds her writing ideal through cross conversion of viewing angle. Concerning meaning for generation of viewing angle, even a conversion of viewing angle at a given mode may cause the meaning to drop. Although the heroes or heroines in Wang Anyi's novels at different periods may have different status and background, they are stipulated by the writer's own rationale, and they have therefore become the people in a depressed status without freedom. Facing such a narration without sufficient margin, we cannot get rid of the writer's will, and at the key points of narration, the writer inserts powerful hints of value. In such a way, the readers' word receiving process has become one-way process, and its nature has become a significant digestive process. That is to say, the writer's valuable search on viewing angle of narration has generated her meaning of subjective intention at absolute space that she has ever pursued. However, this eliminates the meaning of the novel leading to the opening and the unknown tour at the relative space. Such an increasingly traditional pursuance has inevitably trapped the narration in Wang Anyi's novel into embarrass of literary creation.