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A Psychological Inquiry On Accordion Performance

Posted on:2006-02-08Degree:MasterType:Thesis
Country:ChinaCandidate:F GengFull Text:PDF
GTID:2155360155950470Subject:Art
Abstract/Summary:PDF Full Text Request
This paper bases on the theory of musical psychology and musical aesthetics, aiming at the accordion executants, emphasizing that under the effect of musical dimension, musical time, musical attention and musical memory, the executants can perform musical works skillfully and perfectly through repeated-exercising controlling the pace and process, and the presentiment inside while performing. At the same time, the paper connects the accordion performance with the appreciate of musical taste, the imagination of musical taste, the understanding of musical taste, the emotion of musical taste and the experience from musical taste. From such ingredients included, people could know both the shape and the core-meaning of a musical work better, so that the executants may find the aesthetic experience as support when performing. As a kind of art recreation, accordion performance can express not only the original meaning of the author, but also add unique ingredients of executants himself inside, so the works will get enriched. Besides, to be a perfect performing, we need to care the feeling-devotion and the change of musical style, which can unify both the meaning of the work and the emotion of the audiences into one; as a result, the value of the music could be finally realized. Through a bran-new angle, which to connect both the musical psychology and the art of accordion performance, the paper is trying to afford the esthetics thinking methods and musical psychology direction, so to express the unique performing charm of accordion arts, to improve the accordion performance level and to promote the prosperity of China accordion performance finally.
Keywords/Search Tags:musical psychology, accordion performance, aesthetic experience
PDF Full Text Request
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