Inquiring The Life In Histories And Realities

The China literature present itself with new vision and tremendous change. The era of China contemporary literature is far behind the world modern literature is finished, with absorbing the nutrition of contemporary and modern literature also with interaction of realism and modernism. In the past, the river novel is seldom touched by writers because of it's inviolability and hardship. After the 20 century and 90 ages, it is the most flourish one.As same as the life rhythm, the river novel is levity and richness.The writers on river novel is increased, it's meaning and modality is changed at liberty. It has gained tremendous achievement, although it's fascination is not mature and exquisite. However, we found a fact in the same time that: under the impact of market and business, the river novel is more common custom and more materialize, it's inside meaning is so indigence and rareness. We are more eager to read the writings that pay attention to history and human nature, we also concern about the writers who deeply describe the literature spirit perhaps because the recent writings are more focus on the globalization,fad and orexis.It is LiuQing as the responsible writer belongs to "new born generation"(so called later born generation or 1960s generation) who has been engaging in exploring advanced literature spirit and expecting to rebuild homeland of literature and emphasizing that literature focus on casting human soul. He has been paying close attention not only to himself homeland but also the whole Chinese nations' the past, the present and the future. His novels have been expressing a kind of thinking about a cut section of Chinese social history so that excellent historical tradition would be remembered and nowadays reality would be re-thought; And it just like is a unconventional transparent mirror with lighting hearts through which we can suddenly see clearly the life history and soul history under changeable histories in China. In those,there are a self-discovery as the writer, joyful talking as a reporter and also heavy sign as society worker. Reading carefully the works and visiting the writer LiuQing, the author has studied Liu's influence typical novels, investigated the creative background on 1990s in China mainland 1990s, compared Liu's works with other writer works in the same times under coordinates about history and reality, therefore, based upon the spirit tropism current, the specific property and infinite spirit energy are informed about LiuQing's novels.The main body of the thesis consists of four parts. The part one discusses the creative standpoint on spirit realism according to responsibility and mission as writers, and this creative attitude is the origin on the spirit tropism in Liu's novels. Being declined on novels spirit in the mainland on the 1990s, creative realism again are favored by those writers being intuitive knowledge, they have been resuming his old job on creative realism in order to seek the lost spirit paradise.In the pluralistic layout of spirit-realism, LiuQing as the writer praising highly literature spirit has been blowing trumpet on spirit-realism,establishing vivid and individuality flag and keep the position belongs to writers having responsibility and mission. Liu's "spirit-realism" has double surpassed traditional realism from spirit subject and art creation,and brought completely the new vision. In the part two, having had respected and traced back to the Chinese history, Liu has introspected the life truth which have hardly been forgotten. Being experienced the three tunnels of space and timeupon disastrous years, exhausted change and the reform times, Liu has made people understand the interaction between people and the history in China mainland, the connection between the history and the reality.Although people have been pitiless teased and cruelly distorted in the history, some one have yet created history with enjoying it and then fallen into it. However, the history can also make people eyes brightened, pay close attention to the people's livelihood, and warn realities and long for the future if taking the history as a mirror in a vivid reality.In the part three, focusing on true to the life masses, the life natural color could be presented through the potato's misery and sadness. A misery emotion in Liu's works are shown through broken friendship, lost affectionate feels and passed away love because the potatoes faced, having no other choice, on a petty and low survival, a weak struggle and a misery escape. The elucidations on the misery arefrom Liu's deeply tragedy spirit, special tragedy vision and from the precise dissection on the reasons of the misery. Liu has paid so attention to spirit misery both because people's tragedy reasons are complicated and confused and the heavy tragedy force shakes hearts,because children pure hearts are polluted, women are more uncouth stronger than her origin and the miseries are not yet avoided.The part four of the thesis focused on the ultimate concern to potatoes in Liu's works because there are a secret worry and a spirit crisis from a transform. Liu's works explore the expanded desire and fantastic hearts exiting in a present living.The part one is the origin of the spirit tropism of Liu's novels .The spirit tropism of Liu's novels is detailed in the parts from two to four by means of reading and researching his works to explain spirit tropism in his novels. And then the main body of this thesis has refined the spirit tropism belongs to Liu's novels.As a reporter and narrator with a responsibility mission and a creative breaking ambition, Liu has always discovered a slight essential phenomenon in a numerous complicated histories and realities, and then tried to construct such the spirit tropism that has inquired the true life under it's live and spirit condition in respecting historical and realistic ultimate concern throughout Liu's novels.