A Study On Immortal-Taoismed Poetry In The Han And Wei And Six Dynasties

During the study of immortal-Taoismed poetry,the researchers either try hard to inquire into the fairyland excursion poetry or devote themselves to the combing of immortal-Taoismed poetry that were in period of great prosperity.However,in the course of this study,the researchers not only overlook that "immortal-Taoismed poetry" is still an unfamiliar name to people but also lose sight of that immortal-Taoismed poetry' s development and its relation to the other Chinese poetry are yet vague for people.In connection with such research condition,the thesis intends:firstly, to define the conception and the extent of "immortal-Taoismed poetry"; secondly,to depict the immortal-Taoismed poetry' s development track from the Han and Wei dynasties to the Six dynasties;thirdly,to explore these immortal-Taoismed poetry's connotation and distinguishing features in art; lastly,to discuss the relationship between immortal-Taoismed poetry and other Chinese poetry.The thesis consists of five chapters:Chapter 1,the preface.Firstly to define the conception and the extent of "immortal-Taoismed poetry",then to look back the immortal-Taoismed poetry' s research condition.Chapter 2,the development track of immortal-Taoismed poetry in the Han and Wei and Six dynasties.In this chapter,both the representative poems and the better poets will be main arguments.Then combining the Taoism' s development and the development of traditional poetry of China to depict the immortal-Taoismed poetry' s development track from the Han and Wei dynasties to the Six dynasties.Chapter 3,the connotation of immortal-Taoismed poetry in the Han and Wei and Six dynasties.In order to explore the Taoist poetry' s connotation which is rarely set foot in by previous researchers,in this chapter,the Taoist poems will be approached as equally as the fairyland excursion poems. So that the totality style and features of immortal-Taoismed poetry can be emerged.Chapter 4,the distinguishing art features of immortal-Taoismed poetry in the Han and Wei and Six dynasties.The art characteristic of immortal-Taoismed poetry mainly displays not only on magnificent immortal imageries but also on a lot of peculiar flying means.These immortal imageries and peculiar flying means deepen the poetry' s romantic style, moreover,they also declare publicly the pursuit and the ambition of the poets.Chapter 5,the relation between the immortal-Taoismed poetry and some other Chinese poetry.Landscape poetry and pastoral poetry are all along considered as the exotic flowers in history of Chinese poetry.However, few people know that immortal-Taoismed poetry,which commenced an undertaking in pre-Qin and was ripe in the Wei and Jin and North-South dynasties,mold for poetry such as landscape poetry and pastoral poetry. This chapter will proceed from content and art to discuss the relationship between immortal-Taoism poetry and profound-worded poetry,and landscape poetry,and pastoral poetry and poems describing objects.