View About The Chinese Tradition Poems And Painting Art To Surmount The Medium Of Itself From The Debate Between Langue And Meaning

The research of the relations between the Chinese tradition poem and picture is one ancient and brand-new question. The article in the survey which evolves to the Chinese tradition poem and picture relations development carries on the diachronism, and the philosophy proposition of debate between lnayuage and meaning which carries on foundation of the inspection and analysis. This article review the relations between the Chinese tradition poem and picture from the point of debate between lnayuage and meaning, and discussion the intrinsic relations about fusion between thought of the lnayuage and meaning and the Chinese poem and picture art, excavates the thought of lnayuage and meaning to surmount own medium limit thoroughly to the Chinese poem and picture art to reach in-depth impetus of "Chu Wei Zhi Si". This article thought the thinking of debate between langue and meaning's "Yan Bu Xin Yi" and "De Yi Wang Yan" Lun have influence to the Chinese poems and painting relations that mainly in macroscopic and the microscopic two parts. This article thought this kind of pushes power mainly manifests in two parts of macroscopic and the microscopic. From the part of macroscopic to says the debate between langue and meaning has the nature of surmounting and the outward aspect, has discovered the natural scenery for the Chinese poems and painting art; the part of inward, has established the pursue of "Shen Mei" for the Chinese poems and painting; and the debate between langue and meaning has the characteristic that not separated from the realistic life but surmount the realistic life, has a certain extent developed the Chinese artist's main body of spirit ambit, has constructed one kind of art life for the artists. From the part of microscopic to says, which the debate between langue and meaning proposes two way to solution the contradictory of langue and meaning, which influence the type of construction of thinking in space and time and intrinsic of the poem and picture, and in a certain extent to seting the psychological foundation for the consistency of poems and painting.