The Study Of "Impression·Sanjie Liu" On Aethetic Historical Logic And Cultural Context

The large-scale landscape performance "Impression·Sanjie Liu" as a brand-new artistic style, a new cultural phenomenon , has attracted more and more people's attention. This thesis tries to discuss the aesthetic significance and cultural value of "Impression·Sanjie Liu" on aesthetic historical logic and cultural criticism stance. By showing the creative ideas and artistic styles of "Impression·Sanjie Liu", can we find the contradictory evaluation of people about this art. From this starting point ,we can trace the origin of "Impression·Sanjie Liu" as a large-scale landscape art ,and by analyzing a series of aesthetic art forms such as visual operas, earth arts, impressionist paintings and landscapes, to explore the historical logic of landscape art and prove the inevitability to the birth of their artistic and aesthetic logic ,and forecast its future direction in an aesthetic context.However, "Impression·Sanjie Liu " may be led to a wrong road, or even a deviation from reality. So we must talk about another the oretical dimension, that is of concern, the post-modernlism history background of "Impression·Sanjie Liu ". We should pay attention to the cultural significance and value so as to evaluate its extension as a contemporary culture or deviation qualities. And then we can explore what lied behind this phenomenon. Finally, we try to point out that as works of art and cultural phenomenon, "Impression ? Sanjie Liu" in the development of art history will ultimately trend, and this is shown by Heidegger for us so-called " Poetic Dwelling". Our research and reflection about "Impression ? Sanjie Liu" are calling for people to pursue their " Poetic Dwelling"for the future.